Save Oh Yoon's workfrom demolition. Bring it home.

The 100 or so woodblock prints Oh Yoon left behind remain a spiritual map of Korean people's art in the 1980s, and a body of imagery that still touches the public closer than any other. In his hands, the carving knife was not a tool but a question put to its time; a single print was not merely a picture but the faces of countless unnamed people. Forty years after his passing, his cuts still ask us — whose faces are we keeping unforgotten?

To mark Oh Yoon's 40th anniversary, SAF has prepared a special exhibition that opens his world of work to citizens once more. From the 1985 Song of the Blade series to the 1996 posthumous print collection, scattered plates are gathered in one place — and you can follow them slowly, with curated text alongside each work, tracing what the artist was asking and what he meant to inscribe. It is a place where you can meet, work by work, the full range of Oh Yoon that a single Guui-dong terracotta relief could never tell on its own.

When those who have added their names to this petition also meet the artist's broader world of work, this movement becomes more than protecting a single relief — it becomes the citizens' way of remembering an artist's era together. Welcoming a single work into your home is itself another way of carrying the departed artist's beliefs forward to the living artists of today: proceeds from each sale fund mutual-aid loans for working artists, rebuilding the place his lifelong colleagues deserve.