Stories behind the artists and their works
Behind every artwork is a life of decisions. SAF 2026 brings together 113 Korean artists who chose to put their work into a mutual-aid campaign for fellow artists. Their interviews, studio notes, and reflections give you the context that turns a passing glance into a lasting connection with a piece.
Korean contemporary artist interviews often live behind academic prose. The SAF magazine asks simpler questions in the artists’ own words, so first-time visitors can build a real sense of who made the work — and why.
Every featured artist is a “solidarity artist”: they donated work knowing the proceeds would fund low-interest loans for peers excluded from primary banking (84.9% of Korean artists). Their stories are personal, but they also reveal the structural reality of Korean art-making.
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SAF 2026 brings together 110+ Korean contemporary artists across painting, print, photography, sculpture, and digital art — from emerging artists to recognized masters. All voluntarily contributed works to address financial discrimination against fellow artists.
The SAF magazine editorial team meets each artist directly. We aim to reduce the formal distance of museum catalogs and academic writing, letting the artists describe their practice and daily studio life in their own words.
Click the artist name in the interview to reach the artist page. All available works, biography, and other magazine features are gathered there — and any work can be purchased directly. SAF is artist-direct: no gallery markup.
The majority of sales proceeds go directly to the artist. A portion contributes to the artist mutual-aid fund, providing low-interest loans (5% APR, 95% repayment rate) to artists facing financial discrimination. One purchase supports both an artist and the broader Korean art ecosystem.
New interviews are added at a pace of 1–2 per month. Recent additions appear at the top of the magazine and category pages. RSS and newsletter subscriptions are available.
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113 artists, artworks available online.