Price
₩2,000,000
A unique original — the only one in the world
Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
157 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
산중희호
김은화
- Exhibition
- Oh Yoon Terracotta Relief Exhibition
- Material
- 순지에 동박, 먹, 분채
- Size
- 70×50cm · Size 20 · Medium How big is this? →
- Year
- 2025
- Price
- ₩2,000,000
- Availability
- For sale
About the Artist
The artist profile is currently available in Korean.
Artist Statement
The artist statement is currently available in Korean.
Other works by 김은화
View AllMore about 김은화
Magazine

Kim Eun-hwa: Bringing the Bangudae Tiger into Mountains of Color
Kim Eun-hwa draws her tigers from the Bangudae petroglyphs, a UNESCO World Heritage site. A guide to her Sanjunghuiho series and the two works she has placed in the Seed Art Festival.
Sep 21, 2026 · Seed Art Festival
Reading Texture and Surface in SAF Artworks: Fourteen Ways a Surface Becomes the Subject, from Thick Paint, Cement and Thread to Rusted Iron and Glaze
Look closely and a picture begins with its surface: the height of piled paint, the tangle of thread, a grid pressed into cement, the edge of rusted iron. Fourteen works from the SAF online gallery show how a surface can carry a picture, from yellow dots raised like grains and mountains wearing a frost pattern to acrylic that reads as embroidery and car paint that shines like a mirror.
Oct 6, 2026 · Seed Art Festival
Reading the Animals in SAF Artworks: Fourteen Ways One Creature Changes in Woodblock, Watercolour, Ink, Acrylic and Pencil
Set fourteen animal pictures side by side and one creature stands in fourteen ways: a single hawk over black ridges, an egret beside reeds, two red roosters facing each other and a rooster in a flowered coat, a red horse in a fire of newspaper scraps, a fox lowered into a flower bed, a wolf hidden in abstraction, mandarin ducks annotated in pencil between their feathers. Fourteen works in the SAF online gallery show how material and point of view change an animal.
Oct 4, 2026 · Seed Art FestivalTwo beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.



