Price
₩2,000,000
A unique original — the only one in the world
Art protects art
8 out of 10
artists are shut out by banks
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
168 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
독도에서
Chilmoe Kim Gu
- Exhibition
- Oh Yoon Terracotta Relief Exhibition
- Material
- 닥지 먹 채색
- Size
- 92×61cm · Size 30 · Medium How big is this? →
- Year
- 2016년
- Price
- ₩2,000,000
- Availability
- For sale
About the Artist
Chilmoe Kimgu is an artist who has inscribed the tragedies of the era and social issues through painting within the lineage of Korean Minjung (People's) Art. Beginning in the 1980s with 〈1980s Representative Works Exhibition〉 (Geurim Madang Min, 1985) and 〈40th Liberation Anniversary Memorial Street Solo Exhibition〉 (Ganghwa Market, 1985), he has continued solo exhibitions with consistent thematic focus—including 〈Sad〉 (Hwain Art, 2020), 〈It Hurts〉 (Namu Art, 2018), 〈Looking〉 (Namu Art, 2022), and 〈Wasteland: Field of Phantoms〉 (57th Gallery, 2025). He has continuously participated in exhibitions addressing the era's grief and themes of peace and reunification, including the 〈10.29 Itaewon Disaster Memorial Exhibition〉, 〈70th Anniversary of Armistice Curated Exhibition: Beloved Faces〉 (Imjingak), the 〈Kim Suyoung 100th Birthday Anniversary Exhibition〉, and the 〈DMZ International Invitational: Peace, Reunification, Wish〉 at Odusan Unification Tower.
Artist Statement
The artist statement is currently available in Korean.
Key Career Highlights
Other works by Chilmoe Kim Gu
View AllRecently Sold
168 artworks sold recently
More about Chilmoe Kim Gu
Magazine

Chilmoe Kim Gu: Ink on Hanji, a Divided Country, and Sixteen Years of Night Alleys
Minjung artist Chilmoe Kim Gu paints division not in oil but in ink on hanji. A guide to six works at SAF, read from their materials and surfaces.
Sep 18, 2026 · Seed Art Festival
Reading SAF Artworks by Colour: Fifteen Ways One Blue, Red and Black Changes with Sunlight, Oil, Pigment Powder and Woodblock
Fifteen works in which colour, not subject, leads the picture: a blue that sunlight printed onto paper, a teal built up in oil, a red figure on a deep blue sea, a single head of kimchi on one red, a blue bowl on a wooden tray, black that is ink on a raised surface and white lines the knife cut away. Colour is read through the materials and processes of the SAF online gallery.
Oct 5, 2026 · Seed Art FestivalRelated materials
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.







