Price
₩200,000
Art protects art
8 out of 10
artists are shut out by banks
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
166 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
What's Going On?
Lee Yunyeop
- Category
- Printmaking
- Material
- TBD
- Size
- 9.5×14cm · Size 0 · Small How big is this? →
- Year
- 2022
- Price
- ₩200,000
- Availability
- For sale
About the Artist
Lee Yunyeop depicts farmers, laborers, and humble everyday objects with wit, using bold lines on white space to skillfully capture the rough yet endearing character of woodblock printing. For him, woodblock printing is a medium that engages his body through carving wood and handling tools, serving as a method to create empathy among people who understand labor or to foster understanding of the value of labor itself. Lee Yunyeop used rubber sheeting—the kind laid on factory floors—carved with engraving tools. Mr. Choi of Sandraemi (1996) was his first print work, depicting a neighboring farmer who lived near his home at the time. After this first work, the artist committed to printmaking as his primary medium, and notably called himself a 'dispatched artist,' creating prints alongside workers at strike sites and protest scenes, revealing his activist dimension as an artist.
Key Career Highlights
Other works by Lee Yunyeop
View AllMore Printmaking Artworks
View all PrintmakingRecently Sold
166 artworks sold recently
More about Lee Yunyeop
Magazine

From a Factory Floor Mat: Lee Yunyeop's Dispatched Art
His first print, in 1996, was a neighbouring farmer's face. Lee Yunyeop began by carving factory floor matting with a knife, and calls himself a dispatched artist — cutting blocks at Daechuri, Yongsan and the Hope Bus. Nine works at SAF 2026.
Aug 5, 2026 · Seed Art Festival
Lee Yun-yop — A "Dispatched Artist," Carving the Texture of Labor in Multi-Color Woodblock
Lee Yun-yop, master of Korean multi-color woodblock. "Dispatched artist" activist, industrial rubber matting medium, farmer/worker motifs, MMCA collection — with 5 curated picks.
May 10, 2026 · Seed Art Festival
Korean Contemporary Printmaking — Five Lineages at SAF
Contemporary Korean printmaking, read through five artists at SAF 2026 — from Lee Cheolsu's woodblock Zen to Kim Jonghwan's broken-printer sculptures.
Apr 20, 2026 · Seed Art FestivalRelated materials
Korean media · Original Korean article
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Google Arts & Culture · Original Korean article
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Korean media · Original Korean article
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Korean media · Original Korean article
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Kyunghyang Shinmun · Original Korean article
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Korean media · Original Korean article
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Korean media · Original Korean article
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Brunch · Original Korean article
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woodplanet · Original Korean article
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Korean media · Original Korean article
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Korean media · Original Korean article
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Two beginnings made by one piece
- For you —
- One of a limited edition
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.















