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The idea that painting with oil on canvas is the only 'real' art was dismantled long ago. Twenty-one works at SAF 2026 are digital or mixed-media pieces that ask what materials art can claim. Jeong Chaehui's lacquer-and-eggshell work on digital print is the most striking example.
Standing in front of a gallery work, most people feel pressure to appear more knowledgeable than they are. This three-step guide starts from that discomfort — from first impression to artist statement, your reading of the work is valid.
In the seventy years since the Korean War, Korean contemporary art absorbed, rejected, and reinterpreted Western traditions to forge its own language. From Art Informel to Dansaekhwa, from Minjung art to the global stage — this five-minute survey maps each era's key movements and shows where SAF 2026 artists stand in that history.
The Korean government buys art with tax money and lends it to public institutions. Over 20 years: 4,400 works, ₩34 billion spent. Here's how the 'Art Bank' works, where it falls short, and an alternative that lets ordinary citizens participate.
Ever walked into an art exhibition and felt lost about where to start? From 10-minute pre-visit research to the two-loop viewing strategy and post-visit journaling, this practical guide helps you enjoy exhibitions twice as much, including a new way to view art online.
"Isn't a photo just something you take?" That question has sparked debate for over 150 years. Through 31 photographs in SAF 2026, this article explains what fine art photography is, why pigment prints can last centuries, and what diasec actually means.
Two hours round-trip to a museum. Exhibitions open only on weekends. ₩15,000 admission. You love art, but getting to it is exhausting. What if art could come to you instead?
Korean traditional painting is far more than old-fashioned art. Materials like hanji, ink, powdered pigments, and mineral colors come alive in the hands of contemporary artists in entirely new ways. Through 25 Korean paintings in SAF 2026, this piece explores how traditional media meets a modern sensibility.
People searching for art classes often just want to feel closer to art. But do you really need formal training to collect? Most collectors aren't art majors — and owning a work turns out to be the most powerful art education of all.
"Isn't a print just a copy since there are multiple copies?" That question is the perfect starting point. This piece walks through the four major printmaking techniques — woodblock, intaglio, lithography, and screen printing — and explains why edition numbers guarantee value, and why O Yun's posthumous prints are still originals four decades later.
The ₩34 million raised at the first Insadong exhibition in 2023 was the seed. Three years later: 354 loans, ~₩700 million deployed, 95% repayment. The numbers say one clear thing — artists pay back their debts.
"I told them I was a theater actor. The loan officer said I was unemployed." This single testimony captures the structural exclusion facing 84.9% of Korean artists from mainstream banks. Why is the work of an artist so easily read as no work at all?
