Price
₩50,000,000
Art protects art
8 out of 10
artists are shut out by banks
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
166 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Mumonkan 50 Plates (Print Series)
Lee Cheolsu
- Category
- Printmaking
- Material
- Woodblock print on hanji What's a print? →
- Size
- Pending
- Year
- 2021
- Price
- ₩50,000,000
- Availability
- For sale
About the Artist
Lee Cheolsu, one of the most representative printmakers of our time, was born in Seoul in 1954. He was once a literature-obsessed youth, but after completing his military service, he chose the path of the artist and taught himself painting. Since holding his first solo exhibition in Seoul in 1981, he has held numerous solo exhibitions throughout Korea and, in 1989, had solo exhibitions in major cities across Germany and Switzerland. He subsequently exhibited in overseas cities including Seattle in the United States. In 2011, he held a 30th anniversary printmaking exhibition and published Tree-Carved Hearts, a collection of his major works. Initially acclaimed as an outstanding Minjung (People's) printmaker, Lee has since turned his attention to Zen (Seon) and spirituality within everyday human life, presenting exquisite works that unite profound spiritual worlds with artistic soul. Never releasing the pressing issues of his era, he maintains a particular concern for peace and environmental causes while farming and continuing his printmaking practice.
Key Career Highlights
Other works by Lee Cheolsu
View AllMore Printmaking Artworks
View all PrintmakingRecently Sold
166 artworks sold recently
More about Lee Cheolsu
Magazine

Lee Cheol-soo — From Minjung Woodblock to the Woodblock of Zen, One Texture of Korean Printmaking
Lee Cheol-soo (b. 1954), master of Korean woodblock. 30-year evolution from 1980s minjung woodblock to Zen, spirituality, and peace. Farming and woodblock practice in Jecheon — with 5 curated picks.
May 10, 2026 · Seed Art Festival
The Aesthetics of Hanji — Korean Mulberry Paper in Contemporary Art
Hanji is not just paper. A fiber that lasts a thousand years, a grain that catches ink, a thickness that lets light through. Reading hanji through the work of four artists: Lee Cheolsoo, Kang Le-a, Shin Yeri, and Suh Gongim.
Oct 15, 2026 · Seed Art Festival
Agriculture and Labor in Korean Art — Kim Jun-kwon's Mountains, Min Jeong-gi's Fields, Lee Cheol-soo's Earth
Korea's oldest pictorial motif is agriculture. Tracing the contemporary lineage from Shin Hak-chul's *Rice Planting* (1987) through Kim Jun-kwon's woodblocks, Min Jeong-gi's Yangpyeong fields, Lee Cheol-soo's hanji prints, and Jung Young-shin's five-day market photographs.
Apr 29, 2026 · Seed Art FestivalRelated materials
Korean media · Original Korean article
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Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
EBS · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Two beginnings made by one piece
- For you —
- One of a limited edition
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.










