Price
₩2,300,000
A unique original — the only one in the world
Art protects art
8 out of 10
artists are shut out by banks
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
166 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Where the Light Passed 3 pm7h1m
Jeong Yeonsu
- Category
- Painting
- Material
- Oil on canvas
- Size
- 53×72.7cm · Size 20 · Medium How big is this? →
- Year
- 2025
- Price
- ₩2,300,000
- Availability
- For sale
About the Artist
Jeong Yeonsu is a painter who translates the time and gaze embedded in everyday objects into painting. Her 〈reflection (Where Light Has Passed)〉 series seeks to depict not the object itself but 'the way of seeing the object,' exploring how presence is revealed through shadows and the unseen sides of things. The work begins from the thought that, in an era of digitalization and dematerialization, each forgotten everyday object carries its own time and history.
Artist Statement
"Today, who feels that things gaze at them or speak to them? Who perceives the face of things? .. Who perceives the unique life of things? Whom does the warm gaze of things make happy? .." (The Disappearance of Things, Byung-Chul Han)
The work begins with a long observation of the object, holding the question: "Now and here, in the space I am in, toward the objects I look upon, what is my response and attitude — and what should it be?"
In this digitalized, de-objectified era, even the everyday things that are discarded and consumed each carry their own time and history. What we see is, at the same moment, gazing back at us. Things, too, undergo experience. A thing is a compression of gaze and time.
My painting is not "a painting of things," but "a painting of the way of seeing things." It paints my attitude toward things, the gaze of things toward me, and the relationship that arises from that.
The "reflection (where the light has passed)" series I am submitting to Seedape is a painting that reveals presence through the back side, the shadow of the object.
Other works by Jeong Yeonsu
View AllMore Painting Artworks
View all PaintingRecently Sold
166 artworks sold recently
More about Jeong Yeonsu
Magazine

Jeong Yeon-soo: A Kitchen at 5:47 PM, Where the Shadow Outweighs the Object
The titles carry a timestamp. A close reading of painter Jeong Yeon-soo, who says he paints not objects but the act of looking at them, through his own notes and two works at Seed Art Festival.
Sep 21, 2026 · Seed Art Festival
SAF Painters — From Korean Painting to Abstraction
The 40+ painters of SAF 2026, read across six lineages — from Reality and Utterance founders to KAIST-trained painters, Brussels sculpture MFAs, and Goryeo-Buddhist-painting masters.
Apr 20, 2026 · Seed Art Festival
Contemporary Art Pricing — Artist, Medium, Size, Date: 4 Factors of Korean Art Market
“Is this price fair?” The question every buyer asks. To answer it you need to understand the four forces that set art prices: artist, medium, size, and date.
May 2, 2026 · Seed Art FestivalRelated materials
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Brunch · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.









