The 40+ painters of SAF 2026, read across six lineages — from Reality and Utterance founders to KAIST-trained painters, Brussels sculpture MFAs, and Goryeo-Buddhist-painting masters.

SAF 2026's painting lineup almost single-handedly covers the breadth of contemporary Korean painting. From core members of the 1980s Reality and Utterance group to a KAIST graduate who picked up a brush; from masters reproducing Goryeo-era Buddhist paintings to MFAs in sculpture from the Royal Academy in Brussels. Forty-plus artists gathered in one room, grouped here into six lineages.
1. Senior and Mid-Career Painting
Min Jeonggi — Founding Member of Reality and Utterance, a Sansu Painter of Yangpyeong
Born 1949. Founding member of Reality and Utterance (1979); after moving to Yangpyeong in 1987, he has recorded Korea's sansu and terrain in oil and silkscreen. → From Reality and Utterance to the Sansu of Yangpyeong: Min Jeonggi's Shade
Lee Hongwon — The Painter Who Painted Dahnjae Shin Chaeho's Portrait
Fine arts at Dongguk University. Selected as a Notable Artist in 1984; 29 solos, 300+ group shows. Song of the Forest and Tiger Who Loved Flowers series. → The Painter Who Painted Dahnjae Shin Chaeho's Portrait: Lee Hongwon's Song of the Forest
Nam Jin Hyun — From Revolutionary to Painter
Student activism at Seoul National University, 8 years in prison with SANOMAENG. Entered painting in earnest in 2008 after release; first solo in 2013; memoir A Painter Who Was a Revolutionary. → From Revolutionary to Painter: Nam Jin Hyun's Faces, the Language of Geometry

2. Korean Painting, Minhwa, East-Asian Painting
Jangcheon Kim Seongtae — Carrying Forward the Spirit of Korean Painting
An artist bringing the orthodox lineage of Korean painting into today. → Jangcheon Kim Seongtae: Carrying Forward the Spirit of Korean Painting
Song Gwangyeon — Depth of Ink, Korean Painting Today
→ Song Gwangyeon: Depth of Ink, Korean Painting Today
Woo Yongmin — Duryun and Jiri, Large Ink Surfaces
Ink artist based in Haenam, South Jeolla. Duryun (198×545 cm, Haengchon Museum) and Banyabong of Jirisan (181×360 cm, Jeonnam Provincial Museum of Art). → Between Duryun and Jiri: Woo Yongmin's Large Ink Surfaces
Lee Munhyeong — Chaekgeori Meets Keith Haring and Dalí
Layering Haring, Matisse, Kusama, and Dalí into the chaekgeori of minhwa. → Chaekgeori Meets Keith Haring and Dalí: Lee Munhyeong's Minhwa Pop
Sin Yeri — From a Hwagak Master's Hand to the Minhwa of Dammong
Ten years as chief designer at Han Chun-seop Hwagak Crafts (Gyeonggi Intangible Cultural Heritage hwagakjang). Founder of the minhwa-crafts studio Dammong. → From a Hwagak Master's Hand to Dammong's Minhwa: Sin Yeri's Night Firefly-Flower-Butterfly
Jo Irak — Carrying Forward Goryeo Buddhist-Painting Line
Dong-A and Pusan National University (Western painting) → MA in Goryeo Buddhist-painting reproduction at Yongin University. Twenty years of Goryeo reproduction; held by National Museum of Korea and Seoul Museum of History. → Carrying the Line of Goryeo Buddhist Painting: Jo Irak's Hanji and Seokchae
Kim Yeongseo — The Afterimage of Punctum, Jangji and Hobun
MA in Oriental painting at Hongik University. Brings Barthes's punctum onto jangji. → The Afterimage of What Brushed Past: Kim Yeongseo's Jangji and Hobun
3. Young Painting
An Eungyeong — What It Means to Leave with an Empty Bag
PhD in Oriental painting at Hongik. Travel-suitcase motif on jangji in mixed media. → What It Means to Leave with an Empty Bag: An Eungyeong's Landscape of Recovery
Lee Yuji — Karmadise, Where Good Karma Gathers
Western painting at Suwon University. Place of Wishes series; held by Gyeomjae Jeong Seon Museum. → Karmadise: Lee Yuji's Place of Wishes
Park Suji — Seeking the Color of the Unconscious
Oil painting at Musashino Art University in Japan. Refresh series; four-city touring invitations. → Seeking the Color of the Unconscious: Park Suji's Refresh
Kim Uju — Unnamed Wildflowers Around Childhood Fields
Completed PhD coursework in painting at Hongik. WildFlower Collage series. → Kim Uju's Wildflower Collage

Kim Juhui — To Draw Comes from To Miss
Sungshin Women's University and Hongik graduate school. 36 solos. Held by MMCA. Overlay technique. → To Draw Comes from To Miss: Kim Juhui's Overlap
Other Young Painters
Kang Seoktae (Little Prince), Jung Mi-jung, Jung Seo-on, Choi Yun Jung, Lee Eun Hwa, Lee Ho Chul, Seo Geum-aeng, Kim Lacy, Kim Dong-seok, Kim Gyuhak, Hong Jin-hee — each story continues in the magazine.
4. Minjung Art, Realism
Chilmoe Kim Gu — From Night Alleys to Wasteland
From the 1982 Dong-A Art Festival through 2025 — 40 years. Also participated in SAF's first 2023 exhibition. → From Night Alleys to Wasteland: Chilmoe Kim Gu's 40 Years
Lee Incheol — From Food Engineering to Grimmadang Min
Born 1955, Busan. Food engineering at Busan National Fisheries University → solo at Grimmadang Min, 1989. Hand-colored woodblock. → From Food Engineering to Grimmadang Min: Lee Incheol's Our Everyday
Park Seongwan — Looking at Mudeung From the Jeonil Building
Western painting at Chonnam National University. Gwangju-based. Jeonil Building 5.18 series; Grand Prize at Eodeung Art Festival. → Looking at Mudeung From the Jeonil Building: Park Seongwan's Gwangju
Also Senior Figures
Joo Jaehwan (The Painter Who Bought Paint Instead of Tuition), Park Jaedong (Solidarity with the Brush), Oh Yun (The Artist Who Carved the Era with a Blade), Park Saenggwang (Obangsaek Revolution), Min Byungsan (Philosopher of the Street).
5. Abstract, Mixed Media, Digital
Sim Moby — A Painter Who Paints Purgatory
Megabyte's erosion and cycle. Mixed media crossing digital and physical. → A Painter Who Paints Purgatory: Sim Moby
Lee Hyeonjeong — When Kimchi Becomes a Self-Portrait
A kimchi series that began with a 2018 performance of chili powder on a frozen river. Fukuoka Art Award, Excellence. → When Kimchi Becomes a Self-Portrait: Lee Hyeonjeong's Fermenting Time
Lee Jieun — Hollowed Colors, Emptying Color
Meisterschüler at the Kunstakademie Düsseldorf. Empties color with the brush as if carving with a chisel. → Between Seoul and Düsseldorf: Lee Jieun's Hollowed Colors
Park Jihye — From Painting to AI Design
Le Havre–Rouen BA (France) → PhD in painting at Hongik → PhD coursework in AI Design Lab at Kookmin. → From Painting to AI Design: Park Jihye's Crossing PhDs
Sin Yeonjin — Collages of Magazines and Hanji
Painting at Hongik. Mixed media with magazine as primary material. Re-accelerated 23 years after her first Kwanhoon Gallery solo in 2002. → Collages of Magazines and Hanji: Sin Yeonjin's Everyday Things
6. Special Routes
Lee Gwangsu — A Photography Critic's 回 Series
Emeritus professor at Busan University of Foreign Studies; photography critic. Own practice: the painting (acrylic) 回 series. → Return: Six Paintings by Photography Critic Lee Gwangsu
Yemikim — A KAIST Engineer's Painting
Graduated KAIST in Civil & Environmental Engineering and Industrial Engineering. From engineering to painting. 2024 Seoul Youth Biennale, Art Critic's Prize. → A KAIST Engineer Painting the Flamingo's Dream: Yemikim's Paintings of Life
Ateumandu — The Edges of Editorial Cartooning
Printmaking at Hongik. Editorial cartooning and caricature. 2019 Brandlaureate Personal Artist award (Singapore). → Caricature Aiming at Bang-gu: Ateumandu's Editorial Cartoon
Cross-Links for Buyers and Viewers
- From ₩100K to ₩5M: Budget-by-Budget Guide
- Choosing Art by Room
- 10 Ho or 30 Ho — How Many Centimeters?
- All Works in the Painting Category
One Landscape, Gathered in One Place
84.9% of Korean artists are excluded from institutional finance. Sales of works by SAF-exhibiting artists cycle into a mutual-aid fund, returning as low-interest loans to fellow artists.
Over 40 painters standing in one show at once is rare. Korean-painting ink and Brussels-trained minimalism; the hand-colored woodblock of Grimmadang Min four decades ago and the oil painting of a KAIST engineer — all inside the same catalog. SAF is the place that gathers that unlike landscape under a single word — solidarity.
Further Reading
- Korean Shamanism in Art — Oh Yoon's Goblins, Park Saeng-gwang's Rituals, An Eun-kyung's Recovery
- Agriculture and Labor in Korean Art — Kim Jun-kwon's Mountains, Min Jeong-gi's Fields, Lee Cheol-soo's Earth
- Art Care 101 — How to Keep Your Collection for Generations
Start Collecting
- 7 Mistakes First-Time Art Buyers Make (And a Post-Purchase Checklist)
- From ₩100K to ₩5M: Choosing Your First Artwork by Budget
Related reading
If this piece helped, you may also enjoy these related articles:
- Painting on Janji — An Eunkyung and the Contemporary Voice of Korean Painting — Janji is a thick traditional Korean surface made by layering hanji. Through An Eunkyung's paintings, we read its absorption, thickness, and quiet emotional effect.
- Understanding Dansaekhwa: The Korean Monochrome — A painting that repeats the same stroke a thousand times — why is that art? The key to Dansaekhwa isn't the single color but the repetition. From Park Seo-bo to Ha Chong-hyun, the aesthetics of Korean monochrome.
- Introduction to Minjung Art Through Shin Hak-chul — Resistance in the 1980s, reappraisal in the 2000s, reinterpretation in the 2020s. Minjung art never disappeared — follow a lineage still alive as one spine of Korean art, read through Shin Hak-chul.
Seed Art Festival
Published April 20, 2026






