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Lee Mun-hyeong: From the Magpie-and-Tiger to Matisse's Study

Artist Stories · Published Sep 29, 2026 · Seed Art Festival

Lee Mun-hyeong paints Korean folk tigers and rebuilds the chaekgeori bookshelf with Matisse cutouts, Dalí clocks and Kusama dots. A guide to seven works where Joseon folk painting meets homage.

Lee Munhyeong, Chaekgeori × Keith Haring, 2025, ink and color on hanji, 60.6×40.9 cm
Lee Munhyeong, Chaekgeori × Keith Haring, 2025, ink and color on hanji, 60.6×40.9 cm

In Lee Munhyeong's chaekgeori, where Joseon-era books usually sit, Keith Haring's dancing figures appear instead.

Chaekgeori (冊架圖) — a representative genre of late-Joseon minhwa. Paintings of a scholar's bookshelf stood in for the owner's temperament through arrangement of objects. Lee Munhyeong invites the language of 20th-century Western masters into this traditional form. Keith Haring, Henri Matisse, Yayoi Kusama, Salvador Dalí. Names that would never sit together otherwise gather in one house on hanji.

Hanppyeong Museum, and Korea Art Museum

Lee Munhyeong is a minhwa artist. In 2025 he held Lee Munhyeong Solo 2025 at Hanppyeong Museum in Cheonan. At Korea Art Museum in Seoul he has continued group shows like Minhwa's Flight — Chapter 6: Repetition and Pattern.

  • 2025 7th Korea Minhwa Art Fair, Personal Booth (SETEC, Seoul)
  • 13th Contemporary Minhwa Open Call — Excellence Prize
  • 20+ minhwa group shows

An artist who works steadily inside the traditional frame of minhwa while constantly opening the grammar of the form in other directions.

Chaekgeori × Contemporary Art — Five Works

Lee Munhyeong, Chaekgeori × Yayoi Kusama, 2025, ink and color on hanji, 60.6×40.9 cm
Lee Munhyeong, Chaekgeori × Yayoi Kusama, 2025, ink and color on hanji, 60.6×40.9 cm
Chaekgeori × Yayoi Kusama — dots on the Joseon bookshelf

Five SAF works form a Chaekgeori × Master series. All 60.6×40.9 cm, ink and color on hanji.

Korean chaekgeori was originally a painting holding "longing for knowledge." When Western contemporary masters take that seat, two eras' desires layer on the surface. Joseon's longing for knowledge and the 20th-century's visual revolution meet inside the same square grid.

Piri-Playing Conan

Lee Munhyeong, Piri-Playing Conan, 2025, ink and color on hanji, 53×45.5 cm
Lee Munhyeong, Piri-Playing Conan, 2025, ink and color on hanji, 53×45.5 cm
Piri-Playing Conan — the piri-playing boy of minhwa meets today's manga

The sixth SAF work is Piri-Playing Conan. Overlaying the piri-playing boy that often appears in minhwa with the protagonist of the Japanese manga Case Closed (Detective Conan). Already sold as of contribution.

The combination of traditional minhwa iconography with pop-culture characters. Recalling that minhwa was originally "popular visual culture," Lee Munhyeong's Chaekgeori series is not a strange combination but an update of minhwa's nature itself in today's grammar.

The Seat of Chaekgeori

Lee Munhyeong contributes six works to SAF. Two are sold as of contribution.

84.9% of Korean artists are excluded from institutional finance. Sales of works by SAF-exhibiting artists cycle into a mutual-aid fund, returning as low-interest loans to fellow artists.

Chaekgeori is originally a painting of "I want to keep these things beside me." As Dalí, Matisse, and Haring now sit in his chaekgeori, tomorrow of fellow artists is placed in SAF's chaekgeori. The work of bringing invisible wishes, one by one, into the frame.

Minhwa Rising

Traditional minhwa was a minjung visual art. A painting anyone could access, anyone could hang.

Lee Munhyeong keeps its spirit alive while continuing to invite today's visual grammar into the frame. Dalí's melting clocks, Kusama's dots, Haring's dancing signs. A declaration that tradition does not sit only in museums — and evidence that minhwa is still rising.

Works by Lee Munhyeong

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