Price
₩500,000
Art protects art
8 out of 10
artists are shut out by banks
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
166 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Time to lose
Kim Hoseong
- Category
- Photography
- Material
- Pigment print (Diasec) What's a pigment print? →
- Size
- 45×30cm · Size 8 · Small How big is this? →
- Year
- 2011
- Edition
- Edition 3/5 What's an edition? →
- Price
- ₩500,000
- Availability
- For sale
About the Artist
Kim Hoseong graduated from Kyung Hee University with a degree in history and from Chung-Ang University with a degree in photography, and works as a contemporary artist. In his early career, he primarily presented works exploring modern desire and wandering through photography and video. From 2018 to 2019, he operated an unmanned gallery accessible 24 hours a day, presenting various conceptual art works through his Monthly Project, which featured a new exhibition each month. Since then, he has continued experimenting across media boundaries, translating reflections on humanity, art, and society into his work.
Artist Statement
This work belongs to the Stickerture series, which carries the worldview of the artist's earlier period. The stickers that felt cute and intimate in childhood now appear, to the artist who has become an adult and faced reality, as somewhat unnatural beings — wearing artificial smiles, exaggerated outfits, and stereotyped poses. The artist looks upon this not with critique but with compassion, finding in them a kinship with herself.
A sticker possesses passivity, in that it is affixed by another, and at the same time an activeness, in that it covers and defines its subject. Yet the moment it is peeled off, it loses its function, sometimes leaving behind only an indelible trace. Within these qualities, the broadly smiling stickers evoke the personas of modern people, each performing an assigned role in society. By affixing stickers onto photographs and preserving them like specimens, the artist seeks to leave the trace of the sticker — something that once existed but is easily consumed and then disappears.
Key Career Highlights
Other works by Kim Hoseong
View AllMore Photography Artworks
View all PhotographyRecently Sold
166 artworks sold recently
More about Kim Hoseong
Magazine

Kim Hoseong: Two Photographs from Where the Stickers Began
Kim Hoseong studied history, then photography. The two works at SAF date from 2011, when he began pasting stickers onto his own photographs.
Sep 18, 2026 · Seed Art Festival
Korean Landscape and the Lives of Common People — The Documentary Photography of Cho Mun-ho, Jeong Yeong-shin, and Kim Soo-oh
The flow of Korean documentary and landscape photography — the practices of three masters Cho Mun-ho, Jeong Yeong-shin, and Kim Soo-oh, plus five collecting perspectives.
May 10, 2026 · Seed Art Festival
A First-Time Art Buyer’s Price Guide — From ₩300K to ₩10M
“How much should I start with?” The most common question from first-time art buyers. Here is what you can buy, and how to choose, at four price tiers — ₩300K, ₩1M, ₩3M, and ₩10M.
Apr 30, 2026 · Seed Art FestivalRelated materials
Two beginnings made by one piece
- For you —
- One of only 5 limited prints
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.









