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Price

₩100,000

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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Flow 12

Kim Reisi

ExhibitionOh Yoon Terracotta Relief ExhibitionMaterial종이에 수채 Size19×19cm · Size 0 · Small How big is this? →Year2025Price₩100,000

About the Artist

Art has always been the essence and natural flow of Lacey Kim's life. After graduating from Seoul Women's University with a degree in Western Painting, she completed master's programs at Nottingham Trent University in the UK and Pratt Institute in the US. Having established a structural foundation in painting through figurative work, she transitioned to abstract painting, exploring inner balance and the essence of existence through line and color. She has exhibited in diverse cities including New York, Chicago, Vienna, Miami, and Seoul, reflecting in her work the intersections of different cultures and aesthetic sensibilities. For her, art is a language for understanding oneself and connecting with others, and through it she explores the possibility of intuitive exchange between viewers' individual senses and experiences. Currently, drawing on this body of experience, she is also interested in the educational extension of art, sustaining artistic activities where creation and sharing coexist.

About this work

〈Flow 12〉 is by Kim Reisi. Created in 2025 on 종이에 수채, measuring 19x19cm. Available as an original Korean contemporary artwork at SAF Online.

Key Career Highlights

Education
2009 MFA, Pratt Institute, NY, USA
2007 MA, Nottingham Trent University, UK
2003 BFA, Department of Western Painting, Seoul Women's University

Selected Solo Exhibitions
2025 Anonymous Moments, Chungju Cultural Foundation Mokgye Narae, Chungju
Anonymous Moments, Gallery LP, Seoul
2024 This Moment, Gallery Ilho, Seoul
Fragrance of This Moment, 09 Salon, Seoul
2023 Before Any Words, Gallery Coral, Seoul
Before Any Words, Gallery Still, Ansan
Before Any Words, Gallery Dos, Seoul
2022 Before Thinking, Gallery Hanok, Seoul
Before Thinking, Sai Art Space, Seoul
2021 Before Mind, Gallery Nut, Seoul
Before Mind, CICA, Gimpo
2017 Vantage Point, Lobby Gallery at 1133 Avenue of the Americas, Presented by ChaShaMa & Durst Organization, New York, NY
Before Mind, ChaShaMa Space at 55 Broadway, New York, NY
2015 In Between, Gallery Pirang, Heyri
In Between, Space Sun Plus, Seoul
2014 In Between, Gallery Imaju, Seoul
2012 Dialogue of Silence, Yashar Gallery, Brooklyn, NY
2011 Dialogue of Silence, Amos Eno Gallery, Brooklyn, NY
2010 Dialogue of Silence, Pop Art Factory, Seoul
Dialogue of Silence, Chelsea West Gallery, New York, NY
and 24 total

Selected Group Exhibitions (90+ domestic and international)
2025-2006 exhibited extensively across Seoul, New York, Brooklyn, Long Island City, Miami, Washington DC, Vienna, Chicago, Busan, Daegu, Gangneung, Paju, and other cities

Collections
One Medical Group (Cobble Hill, Brooklyn Location), Seoul Eastern District Court

Price

₩100,000

Collect This Work

Two beginnings made by one piece

For you
One-of-a-kind in the world
For the artist
the pride of standing with a peer
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.