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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
98 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Comma (,)
An Eungyeong
About the Artist
In my work, the "suitcase" is not merely a tool for carrying luggage — it symbolizes a psychological refuge that contains the anxiety and alienation of modern people while guiding them toward a new sense of self. We live on the track of a repetitive daily life, yet everyone carries at least one empty bag of their own, ready to be packed at any moment for departure. Through the imaginary spaces I construct inside suitcases, I seek to console the hardships of reality and hope that viewers can set down the weight of their everyday lives, even briefly, and experience a restorative journey toward themselves.
Artist Statement
This work holds a moment of brief stopping within the process of moving. The bicycle on the picture is set in a state of having paused on the way somewhere. The intense field of red and the blue space spread beneath it lay out, in contrast, the tension and release of feeling, and the inner compression and expansion. The red area stands for a psychological state of feeling concentrated, while the blue space means a state in which that feeling slowly loosens and opens out. The bicycle placed across the boundary of the two color fields exists less as something for moving than as a state within the process of emptying out feeling within stillness. 〈Comma〉 speaks of a small time of stopping within the everyday that only keeps moving forward—a time to catch one's breath before moving again.
Key Career Highlights
Ph.D., Department of Oriental Painting, College of Fine Arts, Hongik University Teaching: Former Visiting Professor, University of Ulsan Lecturer at Kyungsung University, Chosun University, University of Ulsan Solo Exhibitions 2024 Rumination, Gagi Gallery, Ulsan 2022 Boundary Travel, Buk-gu Culture & Arts Center, Ulsan 2017 The Journey to The Recovery, Gana Art Space, Seoul 2016 The Journey to The Recovery Invitational, Caffebene Time Square, New York, USA 2015 The Journey to The Recovery Invitational, THE WHEEL HOUSE, New York, USA 2012 Only Dream-ing Traveler Curated, THE K Gallery, Seoul; Hwabong Gallery Invitational, Seoul 2010 Only Dream-ing Traveler Curated, Gallery SU, Seoul 2009 Joy of Voyage Invitational, Gallery HOSI, Tokyo, Japan Joy of Voyage Curated, Young Art Gallery, Seoul 2008 Joy in Deviation Curated, Gallery Young, Seoul 2007 Joy in Deviation, Gallery Space Pause, Tokyo, Japan Group Exhibitions 2025 Attempt to Touch the World: Sharing, Leon Gallery, Seoul 2024 Our Summer, VVS MUSEUM, Seoul "DREAM", Uncharted Territory Studio, Seoul 2023 History of Time Recorded in Color Exhibition, Insa Art Center, Seoul Ulsan Culture Expo & Ulsan APM Invitational, U-Eco, Ulsan 2022 Three Coexisting Perspectives Curated, Korea Energy Agency, Ulsan We Need a Summer Vacation Too Invitational, F1963, Busan 8 Journeys Invitational, Gyomun Gallery, Busan 2021 Singing the Everyday, Baeksong Gallery, Seoul Sinchuk Year Korean Painting Invitational, Gallery hoM, Seoul Travel and Beyond Invitational, Ulsan Museum of Contemporary Art, Ulsan 2020 Light and Color Seen by Heart, Dongduk Art Gallery, Seoul 2018 ASYAAF & Hidden Artist Festival, DDP, Seoul, and others Residency: ARPNY - Artist Residency Program, New York, USA Collections: Ulsan Culture & Arts Center, University of Ulsan, Ulju World Mountain Film Festival, CK Dental Hospital, CNP Apgujeong Cha & Park Dermatology, corporate and private collections
Related materials
Magazine

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At the deepest layer of Korean art lies shamanism. From Park Saeng-gwang's five-color rituals to Oh Yoon's daytime goblins and An Eun-kyung's contemporary acts of recovery on traditional janji paper — we read why shamanism still resonates in today's living rooms through SAF-owned works.
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Price
₩1,200,000
Recently Sold
98 artworks sold recently
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.





