Price
₩18,000,000
Shipping
Conditional free shipping
Secure payment
SSL secure payment system
Certificate
Certificate of authenticity included
Cancel/Refund
Withdrawal possible within 7 days after delivery
Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
95 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
In Seohuri - Harvesting Rice
Min Jeonggi
Authenticity
One-of-a-kind original
About the Artist
Min Joung-Ki (b. 1949) was a founding member of 'Reality and Utterance' (Hyeonsil-gwa Bareon), participating in the Minjung (People's) Art movement from its inception in late 1979 to its formal dissolution in 1990. Since the 1990s, he has lived in Yangpyeong, Gyeonggi-do, painting landscapes (sansuhwa) and floral works that he describes as painterly records of human life living together with mountains and earth. His early work, which re-imitated the unrefined so-called barbershop paintings and brought them into the corridors of high art, touched the self-consciousness that all of us live conventionally in a conventional society—an anti-aesthetic, dadaist enterprise read as an allegory of a somber era. He then walked toward the forest—more precisely, toward the earth and the strata of history—and later out into the marketplace, following roads, paths, and the flow of rivers as 'paths toward today.' His Yangpyeong-era landscapes set their dwelling within mountain ranges and terrain, regarding this as the wisdom of pungsu (geomantic harmony) once held by people of old.
About this work
〈In Seohuri - Harvesting Rice〉 is a Painting work by Min Jeonggi. Created in 2025 on Oil on canvas, measuring 45.5x53cm. Available as an original Korean contemporary artwork at SAF Online.
Related materials
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
SeMA Biennale Mediacity Seoul · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
YouTube(K-Art Market) · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
The Artro · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Magazine

Agriculture and Labor in Korean Art — Kim Jun-kwon's Mountains, Min Jeong-gi's Fields, Lee Cheol-soo's Earth
Korea's oldest pictorial motif is agriculture. Tracing the contemporary lineage from Shin Hak-chul's *Rice Planting* (1987) through Kim Jun-kwon's woodblocks, Min Jeong-gi's Yangpyeong fields, Lee Cheol-soo's hanji prints, and Jung Young-shin's five-day market photographs.
2026-04-29
From Reality and Utterance to the Landscapes of Yangpyeong: The Shade of Min Jeonggi
Min Jeonggi, a founding member of *Reality and Utterance* (1979). From barbershop paintings into high-art corridors, then to Yangpyeong's sansu — four decades.
2026-04-20Other works by Min Jeonggi
View AllMore Painting Artworks
View all PaintingPrice
₩18,000,000
Recently Sold
95 artworks sold recently
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.








