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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

98 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Ornament #3

Kim Taegyun

Authenticity

Digital limited edition 4/10

What "edition" means →
CategoryDigital ArtMaterialDigital print, Diasec Size100×100cm · Size 50 · Large How big is this? →Year2013EditionEdition 4/10 What's an edition? →Price₩4,000,000

About the Artist

Kim Taekyun is a visual artist who reconstructs the gaze of landscape and territory in multilayered fashion, having worked between Stuttgart, Germany and Korea. His solo exhibitions include 〈Adapted Territory〉 (Kim Chong Yung Museum Creative Support Exhibition, 2019), 〈Eternal Vacation〉 (Seoul Museum of Art Emerging Artist Selected Exhibition at Space Can, 2013), and 〈Shadow of Landscape〉 (Ehingen Municipal Museum of Art, Germany, 2011). He has participated in major museum exhibitions including 〈Border 155〉 (SeMA, 2017), 〈Salon de SeMA〉 (SeMA New Acquisitions Exhibition, 2015), 〈Formula of Imagination〉 (Busan Museum of Contemporary Art New Acquisitions Exhibition, 2019), and 〈BETWEEN WAVES〉 at Amorepacific Museum's APMAP (2014).

Artist Statement

This work, which looks like a tangled skein of thread, blood vessels, or the vines of a plant, is in fact an aggregation of the multi-level interchanges that lead into two cities, Seoul and Pyongyang. With no visible exits or entrances, the cars indifferently going their own way recall the political relationship of the Korean peninsula, where connection and communication still feel distant; yet at the same time it metaphorically points to the invisible attempts to lay paths against one another and create new ones.

Key Career Highlights

Solo Exhibitions 2019 'Adapted Territory', Kim Chong Yung Museum Creative Support Exhibition, Kim Chong Yung Museum, Seoul 2013 'Eternal Vacation', Seoul Museum of Art Emerging Artist Selected Exhibition, Space Can, Seoul 2011 'Shadow of Landscape', Ehingen Municipal Museum of Art Curated Invitational, Ehingen, Germany Group Exhibitions 2025 'Yesterday Is the Future of the Past', Songwon Art Center, Seoul 2023 'Comply with Peace', Jeon Tae-il Memorial Hall Gallery, Seoul 2022 'Buffer Time', Gyeonggi Millennium Gallery, Gyeonggi Northern Provincial Office, Uijeongbu 2019 'Formula of Imagination', Busan Museum of Contemporary Art New Acquisitions Exhibition, Busan Museum of Contemporary Art, Busan 2017 'Border 155', Seoul Museum of Art Main Building, Seoul 2016 Gyeonggi Promising Artist Saengsaeng Hwahwa, '14 Perspectives', Goyang Aram Museum of Art, Goyang, Gyeonggi-do 2015 'Salon de SeMA', Seoul Museum of Art New Acquisitions Exhibition, Seoul Museum of Art, Seoul 2014 'BETWEEN WAVES', Amorepacific Museum of Art Curated APMAP, Osulloc Museum, Jeju 2013 'Events', MMCA Goyang Studio Exhibition Hall, Goyang, Gyeonggi-do 2012 '60 Works for Baden-Württemberg', Siggen Municipal Museum of Art, Germany 2011 'No Limits', Stuttgart Wirtschaftshaus, Stuttgart, Germany 2010 'Die Natur Verbindet', Villingen-Schwenningen Municipal Park, Germany 2009 'Zart', curated by Jan Hoet, Galerie ABT ART, Stuttgart, Germany 2008 'Test Bild', Polizei Building, Stuttgart, Germany 2007 'Foto Sommer', Kunstakademie Exhibition Hall, Stuttgart, Germany 2006 Kunst Projekt 'Vor Fahrt', Birkenwald Straße, Stuttgart, Germany

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Recently Sold

98 artworks sold recently

Two beginnings made by one piece

For you
One of only 10 digital limited editions
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.