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₩840,000
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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
98 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Chaekgeori x Yayoi Kusama
Lee Munhyeong
About the Artist
Lee Munhyung is a minhwa (Korean folk painting) artist who renders the iconography and color of traditional Korean folk painting through contemporary painterly form. She held her first solo exhibition 〈Lee Munhyung Solo Exhibition 2025〉 at Hanppyeom Museum (Cheonan) and has participated in numerous group exhibitions including the 〈Flight of Minhwa Exhibition—Chapter 6: Repetition and Pattern〉 at the Korea Museum of Art, as well as a solo booth at the 7th Republic of Korea Minhwa Art Fair (SETEC). She received the Excellence Award at the 13th Contemporary Minhwa Competition.
About this work
〈Chaekgeori x Yayoi Kusama〉 is a Korean Painting work by Lee Munhyeong. Created in 2025 on Ink and color on hanji, measuring 60.6x40.9cm. Available as an original Korean contemporary artwork at SAF Online.
Key Career Highlights
Solo Exhibitions 2025 Lee Munhyeong Solo Exhibition 2025 (Hanppyeom Museum, Cheonan) Group Exhibitions Flight of Minhwa Exhibition_Chapter 6: Repetition and Pattern (Korea Museum of Art, Seoul) and 20 others Art Fairs 2025 7th Republic of Korea Minhwa Art Fair Solo Booth (SETEC, Seoul) and 1 more Awards 13th Contemporary Minhwa Competition Excellence Award
Magazine

Chaekgeori Meets Keith Haring and Dalí: Lee Munhyeong's Folk-Painting Pop
Lee Munhyeong paints chaekgeori — the Joseon scholar's bookshelf — with Haring, Matisse, Kusama, and Dalí seated inside. Traditional minhwa updated in today's grammar.
2026-04-20 · Seed Art Festival
Korean Traditional Painting Meets the Modern: Ink, Pigment, and the Present
Korean traditional painting is far more than old-fashioned art. Materials like hanji, ink, powdered pigments, and mineral colors come alive in the hands of contemporary artists in entirely new ways. Through 25 Korean paintings in SAF 2026, this piece explores how traditional media meets a modern sensibility.
2026-04-08 · Seed Art Festival
Contemporary Art Pricing — Artist, Medium, Size, Date: 4 Factors of Korean Art Market
“Is this price fair?” The question every buyer asks. To answer it you need to understand the four forces that set art prices: artist, medium, size, and date.
2026-05-02 · Seed Art FestivalOther works by Lee Munhyeong
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Price
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Recently Sold
98 artworks sold recently
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.





