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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

63 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Woman Holding the Moon

Han Aegyu

Authenticity

One-of-a-kind sculpture

What "edition" means →
CategorySculptureMaterialTerracotta SizePending Year2021Price₩2,000,000

About the Artist

Han Aekyu (b. 1953) studied applied art and ceramics at Seoul National University and its graduate school, and graduated from the École d'Art d'Angoulême in France. She has participated in numerous solo and group exhibitions domestically and internationally. Major solo exhibitions include Emotions of Earth, Journey of Form (Gallery Sejul, 2024), Beside (Artside Gallery, Seoul, 2022), Blue Path (Artside Gallery, Seoul, 2018), From Ruins (Artside Gallery, Beijing, 2010), Encounter (POSCO Art Museum, Seoul, 2009), and A Person Holding Flowers (Gana Art Center, Seoul, 2008). Notable group exhibitions include the Special Exhibition of Korean Polychrome Painting (National Museum of Modern and Contemporary Art, Gwacheon, 2022), Saturday Exhibition (Seoul, 2012–2020), Long Breath (SOMA Museum of Art, Seoul, 2014), and Terracotta, Primitive Future (Clayarch Gimhae Museum, Gyeongsangnam-do, 2011). Her works are held in major collections including the National Museum of Modern and Contemporary Art, Seoul Museum of Art, Seoul Museum of History, Daejeon Museum of Art, Jeonbuk Museum of Art, Seoul City Hall, Ewha Womans University Museum, and Korea University Museum.

About this work

〈Woman Holding the Moon〉 is a Sculpture work by Han Aegyu. Created in 2021 on Terracotta. Available as an original Korean contemporary artwork at SAF Online.

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Recently Sold

63 artworks sold recently

Two beginnings made by one piece

For you
A sculpture with no equal in the world
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.