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₩2,800,000
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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
94 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Every Day
Choe Gyeongseon
Authenticity
One-of-a-kind original
About the Artist
Choi Kyungsun has consistently depicted the vitality, sorrow, and healing of life on canvas, drawing from nature as her primary subject. Her new works, including recent pieces premiering in her current exhibition, express the 'swim of the mind.' The artist frequently reflects on the trajectory of the mind, like a somersault through air. She believes the mind becomes as fluid as a fish when encountering a still water surface, low-blooming flowers, swaying grasslands, a child's gestures, or the ridge of water's surface. She reveals that the mind navigating through space is not about dreaming of escape but rather serves as a central rhythm that carries one from self to others, from the visible to the invisible. This seems akin to willingly surrendering oneself to joy, dejection, and mourning. The artist is particularly attuned to the subtle moments of transition when pain shifts into sorrow, much like the sudden awareness of a changing season—because it may be at that precise moment, when all opposing elements traverse their differences, that the language of life is born. She also hopes that viewers will acquire a rhythm of life that allows them to perceive the primordial cheerfulness within nature and people, even amid the friction of existence.
About this work
〈Every Day〉 is a Painting work by Choe Gyeongseon. Created in 2022 on Oil on canvas, measuring 53x41.2cm. Available as an original Korean contemporary artwork at SAF Online.
Key Career Highlights
Solo Exhibitions 2020 'Slight Movement', Zaha Museum, Seoul 2019 'Living Water', Namu Gallery, Seoul 2017 'Homecoming', Changryong Village Creative Center, Gyeonggi-do 2017 'Evening at the Biotope', Namu Gallery, Seoul 2015 'Flowing Light', Osan Museum of Art, Gyeonggi-do 2012 'Poésie of Existence', Gwanhun Gallery, Seoul 2010 'Festival of Childhood', Gallery Artside, Beijing, China 2009 'Seat of Vanity', T Art Center, Beijing, China 2001 'RETURN', Deokwon Gallery, Seoul, Korea
Related materials
Kiaf SEOUL · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Kiaf SEOUL · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
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Recently Sold
94 artworks sold recently
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.


