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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

63 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Intersection of Memory, Speed, and Information

Park Jihye

Authenticity

Digital limited edition

What "edition" means →
CategoryDigital ArtMaterialDigital print Size60×60cm · Size 12 · Medium How big is this? →Year2025Price₩900,000

About the Artist

Park Jihye is an artist who traverses painting and digital media to visualize the senses of 'passing' and 'transition.' After receiving her DNAP in Fine Arts from L'École Supérieure d'Art et Design Le Havre-Rouen in France, she completed her M.F.A. and Ph.D. in Painting at the Graduate School of Hongik University. She is currently a Ph.D. candidate in the AI Design Lab at the Graduate School of Techno Design, Kookmin University. Her solo exhibitions include 〈Passing〉 (2013, 2014), 〈Passage〉 (2014), and 〈Visual Dialogue〉 (Hongik University Museum of Modern Art, 2024). She has participated in the Asian Young Artist Exhibition at Gwanghwamun International Art Festival, Herald Arcade 15, and 〈Reloaded〉 by the Korea Media Art Association.

Artist Statement

Through a repetitive process of drawing, erasing, and layering, I find forms that emerge — accidentally or deliberately — and rework them in my own way. In this process, the divided picture plane and the physical gap between canvases enable a visual experience particular to the work, and rest on the premise that the work's meaning is not fixed but is generated fluidly. The work aims at an open possibility: not bound to one particular meaning, but ceaselessly cycling and being reconstituted in new forms and meanings. In my early work I expressed the absence of fixed meaning through the movement of people. Now, however, I explore the same idea through the image of "feet." In my early work I expressed the absence of fixed meaning through the movement of people. Now, however, I explore the same idea through the image of "feet." Feet are an active element that enables human movement and change; they symbolize the act of walking and a state that is not stuck in place, and through them the work emphasizes fluidity and change rather than being limited to a particular meaning.
A dream I had as a child has acted as an important motif for my work. In the dream I kept growing smaller, everything around me felt enormous, and my line of sight was fixed on people's feet. That dream became the decisive occasion for "feet" to enter my work as a key element. Feet were chosen as a motif on which the observer's gaze comes to rest, and on which symbolic meaning could be granted through formal simplification. My work aims at a structure in which the form and meaning embedded in the work are not fixed but undergo continuous generation, reconfiguration, and circulation. Rather than delivering a single message, the work seeks to let various elements interact and open up new readings and sensory experiences.

Key Career Highlights

Education
2024.03- Ph.D. Candidate, AI Design Lab, Graduate School of Techno Design, Kookmin University
2015.03-2025.08.22 Ph.D. in Fine Arts, Department of Painting, Graduate School, Hongik University
2013.03-2015.02 M.F.A., Department of Painting, Graduate School, Hongik University
2007.09-2010.06 B.F.A. / DNAP, L'École Supérieure d'Art et Design Le Havre-Rouen, France, Fine Arts Major (2010.06 / Bachelor)

Solo Exhibitions
2024.05.28-06.03 'Visual Dialogue', Hongik University Museum of Modern Art, Seoul
2015.06.03-06.05 Art & Life Show / aT Center (Yangjae), Exhibition Hall 1
2014.10.28-11.02 'Passing', Art Seoul / Hangaram Art Museum, Seoul Arts Center, Seoul
2014.09 M.A. Thesis Exhibition / Hongik University Museum of Modern Art, Seoul
2014.05.29-06.02 'Passage', Gallery Seven / Painting, Hangaram Art Museum, Seoul Arts Center, Seoul
2013.12.13-12.22 'Passing', Gallery Seven / Painting, Hangaram Art Museum, Seoul Arts Center, Seoul
2013.06 'Art Seoul' / Painting, Hangaram Art Museum, Seoul Arts Center, Seoul
2010.02.06 / 2009.02.06 / 2008.02.06 (Painting, Installation, Video), ESAH Gallery, France

Group Exhibitions
2025.11.21-11.29 Reloaded, Dapsimni Art Lab, Korea Media Art Association, Seoul
2024.10.23-10.28 Asian Young Artist Exhibition (80 artists), Sejong Center for the Performing Arts, Gwanghwamun International Art Festival, Seoul
2024.09.01-09.12 Herald Arcade 15 (12 artists), Herald Auction, Seoul
2023.11.1-11.8 Hanam Fringe Art Fair (60 artists), Hanam Cultural Foundation
2014.10 Passport / Daejeon MBC M-Gallery, Daejeon MBC
2013.09 14th GPS 'Do' Exhibition / Painting, Hongik University Museum of Modern Art, Seoul
2012.11 Alpha Young Artist Exhibition / Painting
2011.11 'Fall in Love' / Digital Print, Santorini Gallery, Seoul
2010.04-06 'Art and Nature' / Installation, Jardin Suspendu au Havre, France
2009.04 'Bouger' / Digital Print, Theater France, France
2009.11-2010.04 Workshop 'Art, Architecture with Nature' - Jean Louis

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Two beginnings made by one piece

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For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.