Price
₩900,000
Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Intersection of Memory, Speed, and Information
Park Jihye
- Category
- Digital Art
- Material
- Digital print
- Size
- 60×60cm · Size 12 · Medium How big is this? →
- Year
- 2025
- Price
- ₩900,000
- Availability
- For sale
About the Artist
Park Jihye is an artist who traverses painting and digital media to visualize the senses of 'passing' and 'transition.' After receiving her DNAP in Fine Arts from L'École Supérieure d'Art et Design Le Havre-Rouen in France, she completed her M.F.A. and Ph.D. in Painting at the Graduate School of Hongik University. She is currently a Ph.D. candidate in the AI Design Lab at the Graduate School of Techno Design, Kookmin University. Her solo exhibitions include 〈Passing〉 (2013, 2014), 〈Passage〉 (2014), and 〈Visual Dialogue〉 (Hongik University Museum of Modern Art, 2024). She has participated in the Asian Young Artist Exhibition at Gwanghwamun International Art Festival, Herald Arcade 15, and 〈Reloaded〉 by the Korea Media Art Association.
Artist Statement
Through a repetitive process of drawing, erasing, and layering, I find forms that emerge — accidentally or deliberately — and rework them in my own way. In this process, the divided picture plane and the physical gap between canvases enable a visual experience particular to the work, and rest on the premise that the work's meaning is not fixed but is generated fluidly. The work aims at an open possibility: not bound to one particular meaning, but ceaselessly cycling and being reconstituted in new forms and meanings. In my early work I expressed the absence of fixed meaning through the movement of people. Now, however, I explore the same idea through the image of "feet." In my early work I expressed the absence of fixed meaning through the movement of people. Now, however, I explore the same idea through the image of "feet." Feet are an active element that enables human movement and change; they symbolize the act of walking and a state that is not stuck in place, and through them the work emphasizes fluidity and change rather than being limited to a particular meaning.
A dream I had as a child has acted as an important motif for my work. In the dream I kept growing smaller, everything around me felt enormous, and my line of sight was fixed on people's feet. That dream became the decisive occasion for "feet" to enter my work as a key element. Feet were chosen as a motif on which the observer's gaze comes to rest, and on which symbolic meaning could be granted through formal simplification. My work aims at a structure in which the form and meaning embedded in the work are not fixed but undergo continuous generation, reconfiguration, and circulation. Rather than delivering a single message, the work seeks to let various elements interact and open up new readings and sensory experiences.
Key Career Highlights
Related materials
Magazine
From Painting to AI Design: Park Jihye's Crossing Doctorates
An artist who studied fine arts in France and completed a PhD in painting at Hongik. In 2024, Park Jihye began a second doctorate in AI Design at Kookmin.
Apr 20, 2026 · Seed Art Festival
Where Digital Meets Lacquer: Expanding the Boundaries of Contemporary Art
The idea that painting with oil on canvas is the only 'real' art was dismantled long ago. Twenty-one works at SAF 2026 are digital or mixed-media pieces that ask what materials art can claim. Jeong Chaehui's lacquer-and-eggshell work on digital print is the most striking example.
Apr 9, 2026 · Seed Art Festival
A First-Time Art Buyer’s Price Guide — From ₩300K to ₩10M
“How much should I start with?” The most common question from first-time art buyers. Here is what you can buy, and how to choose, at four price tiers — ₩300K, ₩1M, ₩3M, and ₩10M.
Apr 30, 2026 · Seed Art FestivalOther works by Park Jihye
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Two beginnings made by one piece
- For you —
- One of a digital limited edition
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.