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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
94 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Fireflies and Butterflies at Night (夜螢花蝶圖)
Sin Yeri
About the Artist
Shin Yeri (pen name Dammong, 淡夢) is an artist who connects the heritage of Korean traditional hwagak (painted ox-horn) craft and folk painting (minhwa) with contemporary visual language. After graduating from the Department of Textile Art at Kyungwon University (now Gachon University), she worked for ten years as senior designer at the Han Chun-seob Hwagak Craft Workshop (Gyeonggi Intangible Cultural Heritage). She is currently the director of the minhwa craft studio 'Dammong.' She has participated in the Republic of Korea National Art Special Invitational Exhibition (as an invited artist), the SNAF Seongnam Art Fair Artist Exhibition, and the Mokwonhoe group exhibition, weaving the precision of traditional craft with the free iconography of folk painting into her work.
About this work
〈Fireflies and Butterflies at Night (夜螢花蝶圖)〉 is a Korean Painting work by Sin Yeri. Created in 2023 on Powdered pigment on ink-dyed hanji, measuring 24x114cm. Available as an original Korean contemporary artwork at SAF Online.
Key Career Highlights
Dammong Shin Yeri B.F.A., Department of Textile Art, Kyungwon University (now Gachon University), 2003 Senior Designer at Master Hwagakjang Han Chun-seob Hwagak Craft Workshop (Gyeonggi Intangible Cultural Heritage), 10 years Current: Representative of Minhwa Craft Studio 'Dammong' Invited Artist, Republic of Korea National Art Special Invitational Exhibition SNAF Seongnam Art Fair Artist Exhibition Mokwonhoe Group Exhibition participant
Related materials
Magazine

From the Hands of Hwagakjang to the Folk Painting of Dammong: Sin Yeri's Firefly, Flower, and Butterfly
Sin Yeri's studio is named *Dammong* — faint dream. Ten years as chief designer of hwagak craft, now carrying minhwa traditions into contemporary painting.
2026-04-20 · Seed Art Festival
The Last Eight Years: Park Saenggwang's Revolution in Obangsaek
A painter who lived his entire life in a Japanese idiom erupted on the cusp of seventy. Park Saenggwang's last eight years — sunrise over Tohamsan, shamans, dancheong and talismans wrapped in obangsaek — stand as one of the most dramatic turns in Korean modern art.
2026-04-08 · Seed Art Festival
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Recently Sold
94 artworks sold recently
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.




