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₩1,500,000

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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

68 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Red Horse

Chilmoe Kim Gu

Authenticity

One-of-a-kind original

What "edition" means →
CategoryPaintingMaterialInk and color on hanji Size60×50cm · Size 12 · Medium How big is this? →Year2025Price₩1,500,000

About the Artist

Chilmoe Kimgu is an artist who has inscribed the tragedies of the era and social issues through painting within the lineage of Korean Minjung (People's) Art. Beginning in the 1980s with 〈1980s Representative Works Exhibition〉 (Geurim Madang Min, 1985) and 〈40th Liberation Anniversary Memorial Street Solo Exhibition〉 (Ganghwa Market, 1985), he has continued solo exhibitions with consistent thematic focus—including 〈Sad〉 (Hwain Art, 2020), 〈It Hurts〉 (Namu Art, 2018), 〈Looking〉 (Namu Art, 2022), and 〈Wasteland: Field of Phantoms〉 (57th Gallery, 2025). He has continuously participated in exhibitions addressing the era's grief and themes of peace and reunification, including the 〈10.29 Itaewon Disaster Memorial Exhibition〉, 〈70th Anniversary of Armistice Curated Exhibition: Beloved Faces〉 (Imjingak), the 〈Kim Suyoung 100th Birthday Anniversary Exhibition〉, and the 〈DMZ International Invitational: Peace, Reunification, Wish〉 at Odusan Unification Tower.

About this work

〈Red Horse〉 is a Painting work by Chilmoe Kim Gu. Created in 2025 on Ink and color on hanji, measuring 60x50cm. Available as an original Korean contemporary artwork at SAF Online.

Key Career Highlights

2025 Wasteland: Field of Phantoms Exhibition (57th Gallery) / 2024 Wasteland: Field of Idols Exhibition (Namu Art) / 2023 Partisan of Trees Guerrilla Exhibition: Portrait of General Hong Beom-do (Namu Art) / 2023 Fukushima Josam Mosa Exhibition (Arte Sup) / 2023 70th Anniversary of Armistice Curated Exhibition: Beloved Faces (Imjingak) / 2023 SAF Artist Support Fund Exhibition (Indipress) / 2023 10.29 Itaewon Disaster Memorial Exhibition (Arte Sup) / 2022 'Looking' Solo Exhibition (Namu Art) / 2021 Kim Suyoung 100th Birthday Anniversary Exhibition (Le Franc) / 2020 'Sad' Solo Exhibition (Hwain Art) / 2019 Republic of Korea Prosecution Exhibition (Space Union) / 2018 Peace, Reunification, Wish DMZ International Invitational (Odusan Unification Tower) / 2018 Nuclear Society Exhibition (Stateless Art Space) / 2018 'It Hurts' Solo Exhibition (Namu Art) / 2017 Bitter Taste Is the Taste of Life Group Exhibition (Insa Art Plaza) / 2016 Chilmoe Kimgu Invitational (Gallery Hwain Arts) / 2013 'Back Alley Story' Solo Exhibition (Gyeongin Gallery) / 1986 Fresh Statements by Young Generations (Geurim Madang Min) / 1985 1980s Representative Works Exhibition (Geurim Madang Min) / 1985 40th Liberation Anniversary Memorial Street Solo Exhibition (Ganghwa Market) / 1984 Local Artist Exhibition (Chilmoe Gallery) / 1983 Indépendant Exhibition (MMCA) / 1982 Dong-A Art Festival Entry (MMCA)

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Price

₩1,500,000

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Recently Sold

68 artworks sold recently

Two beginnings made by one piece

For you
One-of-a-kind in the world
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.