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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

98 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Woman

Park Jae-dong

Authenticity

One-of-a-kind original

What "edition" means →
CategoryPaintingMaterialWatercolor Size23×30cm · Size 3 · Small How big is this? →Year2007Price₩3,000,000

About the Artist

Park Jaedong — The Godfather of Korean Editorial Cartooning Park Jaedong (born December 20, 1952) is one of Korea's most influential cartoonists and art educators, having debuted in the cartoon world in 1974. Born in Beomseoeup, Ulsan, he moved to Busan around age ten and grew up immersed in comics at his father's manhwa-bang (comic book rental shop). The son of a looked-down-upon comic shop owner went on to enter the Painting Department at Seoul National University, a proud achievement for his humble family. After a long period of searching, he embarked on the path of an editorial cartoonist. After teaching art at Hwimun High School and Junggyeong High School from 1979, he joined the Hankyoreh newspaper at its founding in 1988 and serialized the editorial cartoon column Hankyoreh Geulimpan for eight years. Through sharp satire and social commentary during the 1980s and '90s, he earned the reputation as the master of Korean editorial cartooning, with critics noting that "Korean editorial cartooning can be divided into before and after Park Jaedong." In 1984, he joined Reality and Utterance (Hyeonsilgwa Bareon), the pioneering Minjung art collective, working alongside major contemporaries such as Oh Yun, Lim Oksang, Kim Jeongheon, and Kang Yobae. His work is recognized not merely as political satire but as art that elevates the lives and social voices of ordinary people. In 1996, he founded the animation company Odolttogi and produced the TV editorial cartoon segment Park Jaedong's TV Manpyeong for MBC Newsdesk, crossing the boundaries between comics and motion pictures. Webtoon artist Kang Full has credited Park's editorial cartoons as the inspiration for his own career, and the animation sequence depicting the May 18th Gwangju Uprising in the film 26 Years was also produced by Odolttogi, underscoring Park's broad influence on Korean comics and visual culture. His statement — "The more power oppresses the public, the fiercer and more powerful cartoonists' works become" — encapsulates his artistic spirit. He received the 10th Kobau Cartoon Award, the 4th Democratic Press Award, and the 1st Hankyoreh Award for expanding the social role of comics. As a professor in the Animation Department at the Korea National University of Arts, he has also devoted himself to nurturing the next generation, inspiring countless young artists with his educational philosophy: "There is no right answer in art — think of yourself as a cartoonist right now and start drawing." His major publications include Palm Art, Life Comics, and Silk Road Sketch Journey Vols. 1 & 2.

About this work

〈Woman〉 is a Painting work by Park Jae-dong. Created in 2007 on Watercolor, measuring 23x30cm. Available as an original Korean contemporary artwork at SAF Online.

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Recently Sold

98 artworks sold recently

Two beginnings made by one piece

For you
One-of-a-kind in the world
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.