Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
94 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
c ; Small Sky
Yang Uncheol
Authenticity
One-of-a-kind original
About the Artist
Yang Uncheol is an artist who translates philosophical and religious-art reflection into painting. After graduating from the Department of Traditional Religious Art at Incheon Catholic University, he completed his M.A. in Philosophy at the Graduate School of Sogang University. His solo exhibitions include 〈c ; stand up for yourself〉 at Gallery Oudo (2024), 〈c ; summer〉 at Yangchul Seoul (2020), 〈empty interval〉 at Gallery The K (2013), and 〈clean, Cloud〉 at Gallery Hoshi in Tokyo (2008). He has participated in residencies at the Gwangju Museum of Art Creative Studio (2009) and the Hadaeri Summer Forest Art Festival (2008), and has shown actively in international group exhibitions in Antwerp (Belgium) and Beijing (China).
Artist Statement
My work is a dialogue with the question: who and what, and how, can be here in such forms together with me? For someone or something to be here in concrete form, since two or more must be here to face one another, is relative, and since they are at once like and unlike one another, it is analogical. I think it is precisely because anyone, anything is here together with me in a way that is relative and analogical that recognition becomes possible. The relativity of being here as more than one form, this form and that; the analogy of this form and that being here both alike and different—these, I believe, are the very nature by which we recognize the world we face and meet.
Key Career Highlights
Education M.A., Department of Philosophy, Graduate School, Sogang University B.A., Department of Traditional Religious Art, Incheon Catholic University Solo Exhibitions 2024 c ; stand up for yourself, ㅁ, Gallery Oudo, Seoul 2020 c ; summer, Yangchul Seoul, Seoul 2013 empty interval, Gallery The K, Seoul 2008 clean, Cloud, Gallery Hoshi, Tokyo, Japan Group Exhibitions 2023 Eternal Moments, Gallery Graph, Seoul 2022 Gallery Opening Exhibition, Edition, Montreal, Canada 2022 Selasart International Visual Art Exhibition, Ohana Cafe, Metro, Indonesia 2020 TRiCERA PRESENTS SPECIAL PROMOTION, Shinwa Auction, Tokyo, Japan 2017 Colorful Amoeba Playground, Culture Tank, Seoul 2014 The World They See - Three Sensitive Perspectives, Chosun University Museum, Gwangju 2011 The Blank, Kimi Art, Seoul 2009 Gwangju & Seoul Museum of Art Creative Studio Exchange No..., Gwangju Museum of Art, Gwangju 2009 THE FORGOTTEN TIME, Love2arts Gallery, Antwerp, Belgium 2008 99 Tents, 99 Dreams, One World, Jwawoo Museum of Art, Beijing, China Residencies 2009 Gwangju Museum of Art Creative Studio Residency, Gwangju 2008 Hadaeri Summer Forest Art Festival Residency, Gangwon-do
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Recently Sold
94 artworks sold recently
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.


