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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

68 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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c ; Small Sky

Yang Uncheol

Authenticity

One-of-a-kind original

What "edition" means →
CategoryPaintingMaterialOttchil, Oil on canvas Size24.2×33.4cm · Size 4 · Small How big is this? →Year2022Price₩800,000

About the Artist

Yang Uncheol is an artist who translates philosophical and religious-art reflection into painting. After graduating from the Department of Traditional Religious Art at Incheon Catholic University, he completed his M.A. in Philosophy at the Graduate School of Sogang University. His solo exhibitions include 〈c ; stand up for yourself〉 at Gallery Oudo (2024), 〈c ; summer〉 at Yangchul Seoul (2020), 〈empty interval〉 at Gallery The K (2013), and 〈clean, Cloud〉 at Gallery Hoshi in Tokyo (2008). He has participated in residencies at the Gwangju Museum of Art Creative Studio (2009) and the Hadaeri Summer Forest Art Festival (2008), and has shown actively in international group exhibitions in Antwerp (Belgium) and Beijing (China).

Artist Statement

My work is a dialogue with the question: who and what, and how, can be here in such forms together with me? For someone or something to be here in concrete form, since two or more must be here to face one another, is relative, and since they are at once like and unlike one another, it is analogical. I think it is precisely because anyone, anything is here together with me in a way that is relative and analogical that recognition becomes possible. The relativity of being here as more than one form, this form and that; the analogy of this form and that being here both alike and different—these, I believe, are the very nature by which we recognize the world we face and meet.

Key Career Highlights

Education
M.A., Department of Philosophy, Graduate School, Sogang University
B.A., Department of Traditional Religious Art, Incheon Catholic University

Solo Exhibitions
2024 c ; stand up for yourself, ㅁ, Gallery Oudo, Seoul
2020 c ; summer, Yangchul Seoul, Seoul
2013 empty interval, Gallery The K, Seoul
2008 clean, Cloud, Gallery Hoshi, Tokyo, Japan

Group Exhibitions
2023 Eternal Moments, Gallery Graph, Seoul
2022 Gallery Opening Exhibition, Edition, Montreal, Canada
2022 Selasart International Visual Art Exhibition, Ohana Cafe, Metro, Indonesia
2020 TRiCERA PRESENTS SPECIAL PROMOTION, Shinwa Auction, Tokyo, Japan
2017 Colorful Amoeba Playground, Culture Tank, Seoul
2014 The World They See - Three Sensitive Perspectives, Chosun University Museum, Gwangju
2011 The Blank, Kimi Art, Seoul
2009 Gwangju & Seoul Museum of Art Creative Studio Exchange No..., Gwangju Museum of Art, Gwangju
2009 THE FORGOTTEN TIME, Love2arts Gallery, Antwerp, Belgium
2008 99 Tents, 99 Dreams, One World, Jwawoo Museum of Art, Beijing, China

Residencies
2009 Gwangju Museum of Art Creative Studio Residency, Gwangju
2008 Hadaeri Summer Forest Art Festival Residency, Gangwon-do

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Recently Sold

68 artworks sold recently

Two beginnings made by one piece

For you
One-of-a-kind in the world
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.