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₩2,000,000

A unique original — the only one in the world

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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

“The memory of going hungry for three days, alone, so my children wouldn't know.”

— 50s, theater artist

“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”

— 50s, actor

“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”

— 30s, musician

“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”

— 50s, actor/broadcaster

“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”

— 30s, musician

“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”

— 50s, actor

“Without money, life collapses — and creating art? Out of the question.”

— 50s, artist

“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”

— 40s, musician

“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”

— 40s, theater artist

“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”

— 50s, actor

“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”

— 30s, actor

“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”

— 50s, actor/broadcaster

“When I said I was a stage actor, the loan officer called me "unemployed."”

— 50s, actor

“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”

— 50s, cartoonist/visual artist

“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”

— 30s, film/broadcasting professional

165 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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항구의 배

Park Saenggwang

〈항구의 배〉 is a Drawing work by Park Saenggwang. Made on Pencil on paper, measuring 24.9x18.5cm. Available as an original Korean contemporary artwork at SAF Online.

Authenticity

One-of-a-kind original

What "edition" means →
Exhibition
Park Saeng-gwang Drawings
Category
Drawing
Material
Pencil on paper
Size
24.9×18.5cm · Size 2 · Small How big is this? →
Year
확인 중
Price
₩2,000,000
Availability
For sale

About the Artist

Park Saenggwang spent most of his life painting in a Japanese-influenced style, but in the final eight years of his career, he achieved an astonishing and bold artistic transformation. He chose quintessentially Korean subjects—the sunrise over Tohamsan Mountain, traditional masks, Dangun (the mythical founder of Korea), the ten longevity symbols, windows, Buddhist statues, dancheong (traditional decorative painting), talismans, and shamans—and pioneered an original technique that combined powerful obangsaek (the five cardinal colors of Korean tradition) with ink wash painting. Through intense color and free compositional structure, Korean indigenous sentiments and national identity emerge with the force of surging life energy. He is acclaimed as a master of colored ink painting who forged a new and original genre in the history of Korean contemporary art.

Other works by Park Saenggwang

View All

Recently Sold

165 artworks sold recently

Elder Brother, 1985 by Oh Yoon
Posthumous limited edition

Elder Brother

Oh Yoon

Woodcut on mulberry-bark hanji · 34×24cm

₩1,600,000

Echo Boy 25: Thought, 1984 by Oh Yoon
Posthumous limited edition

Echo Boy 25: Thought

Oh Yoon

Woodcut on mulberry-bark hanji, hand-colored with watercolor · 20.3×17.2cm

₩900,000

Echo Boy 18: Longing Becomes an Echo, 1984 by Oh Yoon
Posthumous limited edition

Echo Boy 18: Longing Becomes an Echo

Oh Yoon

Woodcut on mulberry-bark hanji · 17.8×12cm

₩600,000

More about Park Saenggwang

Magazine

Park Saeng-gwang: Before the Obangsaek, the Pencil Went First
Magazine

Park Saeng-gwang: Before the Obangsaek, the Pencil Went First

Park Saeng-gwang (1904–1985) painted shamans and history in obangsaek. The 71 works at SAF are what came before the color — a lifetime of pencil drawings from Jinju to Jeju, Kamakura and India.

Sep 29, 2026 · Seed Art Festival
Reading the SAF Artists Who Touch Jeju: Four Ways One Island Enters the Work, from Oreum and Jeju Horses to the Relics of April 3, Woodblock and Pencil
Magazine

Reading the SAF Artists Who Touch Jeju: Four Ways One Island Enters the Work, from Oreum and Jeju Horses to the Relics of April 3, Woodblock and Pencil

Twenty-eight SAF artists mention Jeju in their biographies. Eighteen works show four ways the island enters the work: a photographer born there who shoots oreum at dawn, two artists who photographed and carved the relics of April 3, people who stayed through migration and residencies, the late Park Saeng-kwang who drew waterfalls and a shore in pencil in January 1956, and painters of a cape and a harbour.

Oct 5, 2026 · Seed Art Festival
Reading the Sea, Rivers, Waterfalls and Snow in SAF Artworks: Fourteen Ways One Water Changes with Oil, Woodblock, Pencil, Thread and Photography
Magazine

Reading the Sea, Rivers, Waterfalls and Snow in SAF Artworks: Fourteen Ways One Water Changes with Oil, Woodblock, Pencil, Thread and Photography

Set fourteen paintings of water side by side and the water runs in fourteen ways: a sea built from horizontal strokes with no horizon, white foam raised from clusters of dots, a black harbour cut with a knife, a beach folded inside a sunflower, a waterfall in a few pencil lines, a snowfield laid down in cotton thread, a snowstorm painted over a photograph. Fourteen works in the SAF online gallery show how material and point of view change one subject.

Oct 4, 2026 · Seed Art Festival

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Two beginnings made by one piece

For you —
One-of-a-kind in the world
For the artist —
the pride of standing with a peer
For a fellow artist —
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.