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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

68 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Yugong Yishan-1907

Kim Dongseok

Authenticity

One-of-a-kind original

What "edition" means →
CategoryPaintingMaterialAcrylic on canvas Size72.7×60.6cm · Size 20 · Medium How big is this? →Year2019Price₩6,000,000

About the Artist

Kim Dongseok is a Western-style painter who has explored 'the path' as a consistent visual theme throughout his career. After graduating from the Department of Western Painting at Chugye University for the Arts and completing an M.Ed. in Art Education at Dongguk University, he has held 31 solo exhibitions, participated in 41 domestic and international art fairs, and shown in over 610 group exhibitions. He has published several monographs centered on 'the path,' including A Collection of Kim Dong Seok Paintings (2019) and THE PATH. His works are held in MMCA Art Bank, the Whanki Museum, Jeonnam Museum of Art, Yangpyeong Museum of Art, SK Telecom headquarters, and the Presidential Palace of France.

Artist Statement

<Notes on "Ugongisan">
"Ugongisan (愚公移山)" — "the foolish old man who moves the mountain" — is a work motivated by the lesson that "even what looks foolish to others, if pursued without distraction to the very end, will eventually reach its goal."
I too, having walked only one path for more than thirty years, find an opaque future halting my steps; in particular, the sight of so many fellow artists around me, pressed by the wall of life, setting down their dreams one by one, powerless, and turning to chase reality, comes upon me as a wound, a pain, an ache, a fear.
And so, in the face of a reality that turns its back, calling this a foolish profession with no visible future, I take this aphorism as a mirror to re-establish my will to live as an artist, and dreaming of Ugongisan I face my work again today, hoping that through the work everyone may keep hold of hope and quietly, steadily realize their own dream of moving the mountain.

Key Career Highlights

  • B.F.A., Department of Western Painting, Chugye University for the Arts
  • M.Ed., Department of Art Education, Graduate School of Education, Dongguk University
  • Master's thesis: Study on the Works of Goam Lee Ungno
  • Publications: A Collection of Kim Dong Seok Paintings (Sol & Science Publishing, 2019)
    The Path...It Was Everywhere (Chai DEU Publishing, 2017)
    THE PATH (Chai DEU Publishing, 2017)
  • 31 Solo Exhibitions (Seoul, Suncheon, Busan, Wonju, Gumi, Beijing, LA)
  • 41 Art Fairs (Seoul, Busan, Daegu, Cheongju, Gwangju, Shanghai, Beijing, Hong Kong, LA, New York, Denmark, Singapore)
  • 610+ Curated and Group Exhibitions
  • Teaching & Professional Experience
    Adjunct Professor at Samyuk College of Health, Sahmyook University, Chugye University for the Arts, Baekseok Arts University, Chonnam National University, Dongguk University; Art Gifted Education at Northern Seoul Office of Education and Gangdong Office of Education; Secretary General of Korean Fine Arts Association; Chairman of Korean Fine Arts Association Songpa Branch; President of Songpa Artists Association
  • Jury & Committee Memberships
    Standing Chairman of Hanseong Baekje Art Awards, jury member for Republic of Korea Peace Art Competition, Haengju Art Competition, Shin Saimdang Art Competition, Republic of Korea Culture Art Competition, Gwangyang Art Competition, Chungnam Art Competition, Suncheon Art Competition, Yeosu Sea Plein Air Art Festival, Patriotic Art Competition, Civil Servants Art Competition, and numerous other national art competitions
  • Major Collections:
    MMCA (Art Bank), Korean Buddhist Art Museum, Muksan Art Museum, Yangpyeong Museum of Art, Whanki Museum, Jeonnam Museum of Art, Seoul Asan Medical Center, SK Telecom Headquarters, Presidential Palace of France, Yantai Wengyeong University (China), Chonnam National University, Chugye University for the Arts, Songpa-gu Office, Ansan Culture & Arts Center, Morning Letter Foundation, Kookmin Ilbo, National Defense Culture Research Center, Royal Square Hotel, Seoul Eastern District Prosecutors' Office, Shinpoong Paper Co., OR Chem Co., Gimcheon Grape CC, Cover art in college textbook "Introduction to Modern Psychology" (Sol & Science Publishing), KBS, NETFLIX, OBS appearances and artwork sponsorship, Kyohak Doseoh (high school art textbook artwork) and numerous private collections
  • Current: Full-time artist, Member of ADAGP (International Copyright Society), Korean Fine Arts Association, Songpa Artists Association, Nurimuri

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Price

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Recently Sold

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Two beginnings made by one piece

For you
One-of-a-kind in the world
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.