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₩1,400,000
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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
94 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
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Sin Yeonjin
Authenticity
One-of-a-kind original
About the Artist
Shin Yeonjin is a painter who translates the textures of daily life and subtle emotions into a collage-like painterly language. After completing both her B.F.A. and M.F.A. at the Department of Painting at Hongik University, she has held solo exhibitions including 〈Keeptik Curated Solo Exhibition〉 at Notting Hill Lounge (Gamil, 2025), 〈Collage of Ordinary Things〉 at Gangbuk Samsung Hospital Nanum Zone (2025), and a booth solo exhibition at United Gallery (2020) as a winner of the Young Artist Space Support Competition. She has participated in the Gangdong Young Artist Support Competition, the Asian Contemporary Art Young Artist Exhibition at the Gwanghwamun International Art Festival, ASYAAF, and many other curated and group exhibitions.
Artist Statement
Holding the thought that "for me, being creative is not merely making something new, but giving new meaning and a new role to what already exists in order to make something else," I work mainly with magazines as my material, expressing — through everyday objects — the way ordinary things come to feel special, or an ideal space. The reason I use magazines as my main material is that the imagery and color magazines hold can take the place of paint or other art materials, and because I see them as a fitting material for recycling what already exists and for expressing the daily and the ordinary. The objects shown in the work are either personally meaningful or are images that come up by general association; rather than seeing things merely as still life or as things to be consumed, I use them as something that defines me, something that connects people in relationship, and something that expresses the space I yearn for and consider ideal. In this series I worked by grafting Eastern materials and modes of expression. The contrasting materials of the magazine (modern, Western) and hanji (traditional, Eastern), the Eastern composition (the composition of chaekgado, scholar's-still-life painting) and the Western motifs come together to make a new image.
Key Career Highlights
Education B.F.A., Department of Painting, Hongik University; M.F.A., Department of Painting, Graduate School, Hongik University Solo Exhibitions 2025 Keeptik Curated Solo Exhibition, Notting Hill Lounge, Gamil 2025 Collage of Ordinary Things, Gangbuk Samsung Hospital Nanum Zone 2020 Young Artist Space Support Competition Winner - Booth Solo Exhibition, United Gallery, Seoul 2002 1st Solo Exhibition, Gwanhun Gallery, Seoul Group Exhibitions 2025 Gangdong Young Artist Support Competition <All That Shines>, Gangdong Art Center Artrang, Seoul 2025 Summer Special Invitational: 16 Artists' Imagination <Put It in My Cabinet>, Space Second View, Seoul 2024 2024 Gangdong Young Artist #Our Moment 35 Landscapes Exhibition, Gangdong Art Center Artrang, Seoul 2024 Gwanak x Seocho Exchange Art Fair BnB, Gwancheonno Culture Platform S1412 & Seoriful Youth Art Gallery, Seoul 2023 18th Gwanghwamun International Art Festival - Asian Contemporary Art Young Artist Exhibition, Sejong Museum of Art 2023 Predictable Future - Gangdong Art Center Curated Exhibition, Gangdong Art Center, Seoul 2023 GALLERY IN THE CITY - Construction Fence Project, Seoul 2023 Keeptik #0002, Amidi Gallery, Seoul 2023 Keeptik #0001, Dada Project, Seoul 2022 Form 2022, CICA Museum, Gimpo 2022 ASYAAF, Hongik University Museum of Modern Art, Seoul 2022 2nd, 3rd Hoho Art Festival, Collabo House Doksan, Seoul 2022 We Support - Gangdong Artists Support Project Competition, Gangdong Art Center Artrang, Seoul 2002 Cosmetic Art 2002 - Colorful! Powerful!, Insa Art Center, Seoul 2001 4induction Exhibition, Hongik University Museum of Modern Art, Seoul and others
Related materials
Other works by Sin Yeonjin
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View all PaintingRecently Sold
94 artworks sold recently
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.







