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₩3,000,000

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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

68 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Tiger Who Loved Flowers

Lee Hongwon

Authenticity

One-of-a-kind original

What "edition" means →
CategoryPaintingMaterialHanji and acrylic on canvas Size45.5×37.9cm · Size 8 · Small How big is this? →Year2024Price₩3,000,000

About the Artist

Lee Hongwon is a painter who has unfolded Korean sensibilities through painting for over four decades since his debut in 1984, with series including 〈Life + Human〉, 〈Song of the Forest〉, and 〈Moon Jar〉. After completing his B.F.A. and M.F.A. at the College of Arts, Dongguk University, he was selected as a Korean Critics' Recommended Notable Artist in 1984. He has held 29 solo exhibitions—including at Insa Art Center (2012, 2013), Insa Art Plaza (2023), Morris Gallery (Daejeon), and 419 Verones Gallery (LA)—and participated in over 300 group exhibitions domestically and internationally. He created the official portrait of independence activist Danjae Shin Chae-ho and the presidential record painting of Roh Tae-woo at Cheongnamdae. His works are held in MMCA Art Bank, the Cheongju Museum of Art, the Chungbuk Provincial Office, and SK Guest House.

About this work

〈Tiger Who Loved Flowers〉 is a Painting work by Lee Hongwon. Created in 2024 on Hanji and acrylic on canvas, measuring 45.5x37.9cm. Available as an original Korean contemporary artwork at SAF Online.

Key Career Highlights

1974-1980 College of Arts, Dongguk University
1980-1983 Graduate School of Arts, Dongguk University
1984 Solo Exhibition: Life + Human (Gwanhun Gallery, Seoul)
Korean Critics' Recommended Notable Artist Selection
1985 Invitational - Notable Artist (Seoul Art Museum)
1986 Song of Life I (Arab Gallery, Seoul)
1993 Invitational: Rain, Wind, Cloud (Bongseong Gallery, Daegu)
1997 Invitational: Ceramic Painting Exhibition (Hakcheon Gallery, Cheongju)
2002 Song of the Forest (Cheongju Arts Center, Cheongju)
2011 Invitational: Song of the Forest (419 Verones Gallery, LA)
Invitational: Tiger Who Loved Flowers (Gallery ATTY, Seoul)
2012 Song of the Forest (Insa Art Center, Seoul)
2013 Song of the Forest: Story of Trees (Insa Art Center, Seoul)
2014 Invitational: Spring Visit (Jeonju Hanji Museum); Lee Hongwon Drawing Exhibition (Sup Gallery, Cheongju)
2015 Lee Hongwon Invitational (Morris Gallery, Daejeon)
2019 Lee Hongwon Solo Exhibition (Gilgaon Gallery, Cheongju)
2020 4-Person Invitational of Artist Naon-ja and Teacher (Insa Art Plaza Gallery, Seoul)
2023 Moon Jar Exhibition (Insa Art Plaza, Seoul)
29 Solo Exhibitions total, 300+ Group Exhibitions
International Exhibitions: LA, New York, Sarajevo, Peru, China, Japan

Collections & Notable Activities
MMCA Art Bank
Cheongju Museum of Art
Chungbuk Provincial Office
Chungbuk Office of Education
SK Guest House
Portrait of Danjae Shin Chae-ho
Cheongnamdae Presidential Record Painting (Roh Tae-woo)
2013 Dongbu Securities Calendar
2014 SK Calendar

Related materials

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Price

₩3,000,000

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Recently Sold

68 artworks sold recently

Two beginnings made by one piece

For you
One-of-a-kind in the world
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.