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₩4,500,000
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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
98 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Wind and Light-133
Kim Gyuhak
About the Artist
Kim Gyuhak is an Incheon-based painter who reinterprets urban landscapes through painterly language. After completing his M.A. in Formative Arts at Chung-Ang University Graduate School, he has held 12 solo exhibitions and participated in over 250 group exhibitions. He received the Grand Prize at the Incheon Art Competition (2018), the Best Excellence Award at Indépendant KOREA (2019), and the Grand Prize at the Angyeon Sarang National Art Competition. His works are held in the collections of MMCA Art Bank, Gwangju Museum of Art, Yeoju Museum of Art (Art Museum Ryeo), the Incheon Foundation for Arts & Culture Art Bank, Yangpyeong Museum of Art, and the Gyeonggi Cultural Foundation.
Artist Statement
Riding on a cold wind, snow that fell through the night creates a new world. I throw on something warm, take a cup of coffee in hand, and sit facing the white world spread across the wide field. As I look out at the snow-covered whiteness, I drift before long into all sorts of thoughts. The desires of a weary present, the lingering attachments to dreams and hopes, the not-always-easy traces of life lived — they are buried in this snow-blanketed white world. For people who live within the desires of the present without a moment to catch their breath, the wind reveals itself simply as wind, and the clouds simply as clouds.
Key Career Highlights
Education M.A., Department of Formative Arts, Graduate School of Arts, Chung-Ang University Solo Exhibitions 2024 21st Century City, KMJ Art Gallery, Incheon and 12 more Group Exhibitions 2025 ASYAAF, Culture Station Seoul 284, Seoul 2024 "Art·T Incheon" Art Bank Curated Exhibition, Namdong Culture Center, Incheon Peace and Ecosystem, Pyeonghwa Nuri-gil Eoulrim Center, Yeoncheon Acquisition Collection Exhibition Pixel: Reinterpretation of Landscape, Yeoju Museum of Art Art Museum Ryeo, Yeoju and total 250+ exhibitions Awards 2019 Angyeon Sarang National Art Competition Grand Prize 2019 Indépendant KOREA Best Excellence Award 2018 Incheon Art Competition Grand Prize Selected Programs 2024 Incheon Foundation for Arts & Culture, Arts Creation Support 2023 Seoul Foundation for Arts and Culture, Senior Artist Support 2023 Incheon Foundation for Arts & Culture, Arts Creation Support 2020 Goyang Art Activity Support Project "Goyang Art Bank" 2020 Gyeonggi-do Culture New Deal COVID-19 Art Vaccine Project 2020 Seoul Public Art Project Artwork Planning Proposal Competition 2019 Incheon Foundation for Arts & Culture, Artistic Expression Activities Collections Anguk Cultural Foundation, Yeoju Museum of Art (Art Museum Ryeo), Incheon Foundation for Arts & Culture Art Bank, Yangpyeong Museum of Art, Gyeonggi Cultural Foundation, MMCA Art Bank, Yangpyeong Museum of Art, Gwangju Museum of Art, Samtan Art Mine
Related materials
Korean media · Original Korean article
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KMJ ART GALLERY · Original Korean article
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Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Magazine

Where the Wind Has Passed: Kim Gyuhak's Landscapes and Memory
Kim Gyuhak paints what wind leaves behind. *Wind and Light* series — rural scenes and childhood memories, held with a quiet, warm gaze.
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SAF Painters — From Korean Painting to Abstraction
The 40+ painters of SAF 2026, read across six lineages — from Reality and Utterance founders to KAIST-trained painters, Brussels sculpture MFAs, and Goryeo-Buddhist-painting masters.
2026-04-20 · Seed Art Festival
Contemporary Art Pricing — Artist, Medium, Size, Date: 4 Factors of Korean Art Market
“Is this price fair?” The question every buyer asks. To answer it you need to understand the four forces that set art prices: artist, medium, size, and date.
2026-05-02 · Seed Art FestivalOther works by Kim Gyuhak
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Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.





