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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
98 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Time to lose
Kim Hoseong
About the Artist
Kim Hoseong graduated from Kyung Hee University with a degree in history and from Chung-Ang University with a degree in photography, and works as a contemporary artist. In his early career, he primarily presented works exploring modern desire and wandering through photography and video. From 2018 to 2019, he operated an unmanned gallery accessible 24 hours a day, presenting various conceptual art works through his Monthly Project, which featured a new exhibition each month. Since then, he has continued experimenting across media boundaries, translating reflections on humanity, art, and society into his work.
Artist Statement
This work belongs to the Stickerture series, which carries the worldview of the artist's earlier period. The stickers that felt cute and intimate in childhood now appear, to the artist who has become an adult and faced reality, as somewhat unnatural beings — wearing artificial smiles, exaggerated outfits, and stereotyped poses. The artist looks upon this not with critique but with compassion, finding in them a kinship with herself. A sticker possesses passivity, in that it is affixed by another, and at the same time an activeness, in that it covers and defines its subject. Yet the moment it is peeled off, it loses its function, sometimes leaving behind only an indelible trace. Within these qualities, the broadly smiling stickers evoke the personas of modern people, each performing an assigned role in society. By affixing stickers onto photographs and preserving them like specimens, the artist seeks to leave the trace of the sticker — something that once existed but is easily consumed and then disappears.
Key Career Highlights
Solo Exhibition 2025 <Wild Grass Grows Anywhere>, Rigak Museum, Cheonan, Korea 2025 <This Is Not an Exhibition>, N2 ART SPACE, Seoul, Korea 2023 <Surface of Time>, CICA Museum, Gyeonggi-do, Korea Group Exhibition 2024 <Fateful Data>, Buzzinga, Gangneung, Korea 2024 Donggang Photo Festival International Competition, Donggang Museum of Photography, Yeongwol, Korea 2024 <Silence>, Hanjigaheon, Seoul, Korea 2024 KTX 20th Anniversary Exhibition <Beyond the Journey>, Culture Station Seoul 284, Seoul, Korea 2023 <Observer on the Stairs>, Metaphor 32, Seoul, Korea 2022 Purple Marble, Royal X Gallery, Hwaseong, Korea 2018 <New York New York New York>, Art Space J, Gyeonggi-do, Korea 2017 <ASYAAF 2017>, DDP, Seoul, Korea 2016 <Hello Media Art>, KT&G Sangsangmadang, Seoul, Korea 2016 <Seen vs Shown>, Korean Cultural Center, Washington, USA 2016 <1st K-foto Festival BUFF>, BEXCO, Busan, Korea 2016 <.JPG>, Jigeum Yeogi, Seoul, Korea 2015 <Namsong Media Art Festival>, Seongnam Art Center Museum, Gyeonggi-do, Korea 2014 <U-Street Media Art Exhibition>, Gangnam Station Media Pole, Seoul, Korea 2013 <Animamix Biennale>, Daegu Art Museum, Daegu, Korea 2013 <Another Painting I Drew>, Seoul Museum, Seoul, Korea 2013 <Stars of the World>, Hangaram Art Museum, Seoul Arts Center, Seoul, Korea 2012 <9th Busan International Video Art Festival>, Busan Museum of Art, Busan, Korea 2012 <Politics of Memory>, Zaha Museum, Seoul, Korea 2012 <Daegu Photo Biennale Young Artist Exhibition>, Bongsanmunhwa Center, Daegu, Korea 2011 <New Generation Art Star Exhibition>, Hangaram Art Museum, Seoul Arts Center, Seoul, Korea
Related materials
Magazine

Sticker-cher and the 24-Hour Unmanned Gallery: Kim Hoseong's Medium Experiments
Kim Hoseong ran a 24-hour unattended gallery with monthly exhibitions. History-major-turned-photographer; the *Stickerture* series views stickers as a model of modern identity.
2026-04-20 · Seed Art Festival
Korean Landscape and the Lives of Common People — The Documentary Photography of Cho Mun-ho, Jeong Yeong-shin, and Kim Soo-oh
The flow of Korean documentary and landscape photography — the practices of three masters Cho Mun-ho, Jeong Yeong-shin, and Kim Soo-oh, plus five collecting perspectives.
2026-05-10 · Seed Art Festival
A First-Time Art Buyer’s Price Guide — From ₩300K to ₩10M
“How much should I start with?” The most common question from first-time art buyers. Here is what you can buy, and how to choose, at four price tiers — ₩300K, ₩1M, ₩3M, and ₩10M.
2026-04-30 · Seed Art FestivalOther works by Kim Hoseong
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Price
₩500,000
Recently Sold
98 artworks sold recently
Two beginnings made by one piece
- For you —
- One of only 5 limited prints
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.



