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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

63 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Lacquer Apple

Jeong Chaehui

Authenticity

One-of-a-kind original

What "edition" means →
CategoryMixed MediaMaterialDigital print with lacquer, eggshell, and mother-of-pearl Size65×70cm · Size 20 · Medium How big is this? →Year2018Price₩3,800,000

About the Artist

Jung Chae-hee graduated from the Department of Painting (Western Painting) at Seoul National University's College of Fine Arts and from the graduate program in mural painting at the Central Academy of Fine Arts in Beijing, China. Through her graduate studies, she learned diverse formative media and was particularly drawn to the artistic values of East Asia, leading her to deeply research traditional materials and techniques. This interest extended into firsthand experiences of Eastern culture across China, Japan, India, and Southeast Asia. Since her first solo exhibition in 1990, she has held a total of 21 solo exhibitions and participated in over 130 group exhibitions, while also accumulating numerous curatorial credits. Notably, after returning from China in 2003, she presented Korea's first full-scale solo exhibition of lacquer painting and lacquer murals across all three floors of Artside Gallery, and has since actively continued her practice using lacquer (ot-chil) as her primary medium. Her major activities include serving as a resident artist of the 2nd cohort at MMCA's Goyang Art Studio (2005–2006) and teaching mural painting and lacquer techniques at universities including Seoul National University from 2003 to 2022. Internationally, she participated as an invited artist in the 2013 Kottayam International Mural Festival in southern India and was selected at the Ishikawa International Lacquer Exhibition in Japan.

About this work

〈Lacquer Apple〉 is a Mixed Media work by Jeong Chaehui. Created in 2018 on Digital print with lacquer, eggshell, and mother-of-pearl, measuring 65x70cm. Available as an original Korean contemporary artwork at SAF Online.

Key Career Highlights

Graduated from the College of Fine Arts, Seoul National University, majoring in painting. Completed graduate studies in mural painting at the Central Academy of Fine Arts in Beijing, China. Held 21 solo exhibitions and participated in numerous shows, with a practice centered on lacquer painting.

Selected Solo Exhibitions
2023 Bittersweet Leaves, Sea of Universe Gallery, Busan
2021 Breath, Pause, Nook Gallery, Seoul
2020 Landscape Beyond, Gallery Naeil, Seoul
2014 Deep Room, Saemter Gallery, Seoul
2006 Cloud-Wandering Moon, Hakgojae, Seoul (Seoul Foundation for Arts and Culture creation grant)
2003 Paintings in Lacquer, Gallery Artside, Seoul

Selected Group Exhibitions and Activities
2025 Different.United (two-person, working title), Samseyoung Gallery, Seoul
2024 Art Miracle in Ganghwa, Everich Hotel, Ganghwa Island
2021 Garden of Time, Korean Old Stone Museum, Seoul
2017 Walking Old Paths with Gyeomjae, Gyeomjae Jeong Seon Memorial Museum, Seoul
2013 Kottayam International Mural Festival (South India)
2010 KIAF 10, COEX Pacific Hall, Seoul
2009 Korean Painting's New Millennium: Contemporary Transformations of Korean Painting, Hangaram Art Museum, Seoul Arts Center
2005-2006 Resident artist, MMCA Goyang Studio (2nd cohort)
2002 Excellence Award, China National Art Exhibition (National Art Museum of China, Beijing)
2001 Excellence Award, Graduate School of Central Academy of Fine Arts (Beijing)

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Two beginnings made by one piece

For you
One-of-a-kind in the world
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.