Price
₩3,800,000
Want to consult before buying? Request a consultation
Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Lacquer Apple
Jeong Chaehui
- Category
- Mixed Media
- Material
- Digital print with lacquer, eggshell, and mother-of-pearl
- Size
- 65×70cm · Size 20 · Medium How big is this? →
- Year
- 2018
- Price
- ₩3,800,000
- Availability
- For sale
About the Artist
Jung Chae-hee graduated from the Department of Painting (Western Painting) at Seoul National University's College of Fine Arts and from the graduate program in mural painting at the Central Academy of Fine Arts in Beijing, China. Through her graduate studies, she learned diverse formative media and was particularly drawn to the artistic values of East Asia, leading her to deeply research traditional materials and techniques. This interest extended into firsthand experiences of Eastern culture across China, Japan, India, and Southeast Asia. Since her first solo exhibition in 1990, she has held a total of 21 solo exhibitions and participated in over 130 group exhibitions, while also accumulating numerous curatorial credits. Notably, after returning from China in 2003, she presented Korea's first full-scale solo exhibition of lacquer painting and lacquer murals across all three floors of Artside Gallery, and has since actively continued her practice using lacquer (ot-chil) as her primary medium. Her major activities include serving as a resident artist of the 2nd cohort at MMCA's Goyang Art Studio (2005–2006) and teaching mural painting and lacquer techniques at universities including Seoul National University from 2003 to 2022. Internationally, she participated as an invited artist in the 2013 Kottayam International Mural Festival in southern India and was selected at the Ishikawa International Lacquer Exhibition in Japan.
Key Career Highlights
Related materials
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
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Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.