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₩3,500,000

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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

“The memory of going hungry for three days, alone, so my children wouldn't know.”

— 50s, theater artist

“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”

— 50s, actor

“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”

— 30s, musician

“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”

— 50s, actor/broadcaster

“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”

— 30s, musician

“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”

— 50s, actor

“Without money, life collapses — and creating art? Out of the question.”

— 50s, artist

“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”

— 40s, musician

“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”

— 40s, theater artist

“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”

— 50s, actor

“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”

— 30s, actor

“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”

— 50s, actor/broadcaster

“When I said I was a stage actor, the loan officer called me "unemployed."”

— 50s, actor

“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”

— 50s, cartoonist/visual artist

“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”

— 30s, film/broadcasting professional

68 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

Authenticity

One-of-a-kind original

What "edition" means →

CategoryPaintingMaterialOil on canvas Size72.5×60.6cm · Size 20 · Medium How big is this? →Year2025Price₩3,500,000

Full collecting guide →

About the Artist

Lee Hyunjeong is an artist who visualizes Korean identity and the traces of modern history through her 〈Kimchi〉 series and works on peace and the DMZ. Her solo exhibitions include 〈Kimchi_Breath〉 at CICA Museum (2022), 〈Kimchi〉 at Alternative Art Space Ipo (2019) and at GALLERIE LUTÈCE PRESENTS in COEX (2024), and 〈Ms. Lee's Drifting〉 at the Jeong Mun-gyu Museum of Art (2023). She participated in the 2018 PyeongChang Winter Olympics' 〈DMZ Art Festa: Peace—Wind〉, was invited to 〈UTOPIA?! PEACE〉 at the Berlin Wall Memorial and Kunstraum Potsdam (2023), and received the Excellence Award at the 2024 Fukuoka Art Award. In 2026, she was selected as a long-term resident artist at the Hongti Art Center (Busan Cultural Foundation). Her works are held in the collections of the Fukuoka Art Museum and the Goseong DMZ Museum.

Artist Statement

Lee Hyeon-Jeong works across painting, installation, and performance, dealing with the sense of time created by "breath" and "fermentation." Her work often touches the viewer's bodily senses through intense red and a vivid materiality, but she refuses to let that discomfort be consumed merely as shock; she holds on to the warmth of "time that has survived" and the possibility of recovery to the very end.
In her 2018 work Breath-Path, the artist left red traces of red pepper powder on a frozen river. Red bleeding across the cold, fixed surface was at once an outpouring of suppressed emotion and a way of revealing "being alive" even within a frozen world. This first scene expanded into the Kimchi series, ongoing since 2019. For the artist, kimchi is both a self-portrait and a metaphor for life. The process of being salted, mixed, and slowly transformed in the waiting into another taste and texture resembles the way wounds and memories shift and change within a life.
In her later Breath-Profound work, Lee does not explain breath and heart merely as physiological phenomena. She lets viewers experience, within the space, the points where life and death, the material and the immaterial, past, present, and future touch one another, and through this she reveals the sensation of a connection between "you and I" arising. This inquiry has expanded beyond installation and image into performance, continuing through encounters with viewers.
In the series Lee! A Drift Tale, the artist re-weaves family experience and records into gauze books, archives, texts, video, and installation, attempting to convey through a sensory language times that words alone cannot fully transcribe. Personal narrative expands beyond family history into the wounds left by history, and the questions of disappearance/record/testimony are converted not into representation but into sensory installation and action. The layers of the gauze book, the fermentation of kimchi, the heart-objects and performance — all are devices revealing layers of being and memory transformed by the passage of time, and become routes by which what has disappeared returns once more as sensation.
In 2023 she participated in the exhibition and performance program UTOPIA?! PEACE at Kunstraum Potsdam, Germany, by invitation of KuBB; in 2024 she received the Excellence Award at the Fukuoka Art Award.

Key Career Highlights

Solo Exhibitions
2024 GALLERIE LUTÈCE PRESENTS_Kimchi (12/24-12/28, COEX, Seoul)
2023 Ms. Lee's Drifting (2/15-3/1, Jeong Mun-gyu Museum of Art)
2022 Kimchi_Breath (3/30-4/3, CICA Museum)
2022 Moon of the Top (1/10-1/26, Gallery Hoho)
2021 Breath_Profound (1/28-2/17, Art Jamsil)
2019 Kimchi (11/20-11/30, Alternative Art Space Ipo)
2016 WHO AM I? (11/25-12/8, Jeongsu Gallery)
2015 Form Is Emptiness, Emptiness Is Form (3/11-4/3, AP Gallery)

Selected Group Exhibitions
2025 <DMZ International Art Exchange Project for the 80th Anniversary of Liberation: Beyond Borders>, DMZ Museum & Unification Observatory, Goseong (Gangwon-do)
2025 <Counter Memory, Counter Voices> Finale Performance, Daegu Station, Daegu
2025 <New Simdo Journey - Bridging Two Worlds Through Art>, Ganghwa War Museum Lawn, Ganghwa
2024 <Fukuoka Art Award 2024> Laureate Exhibition, Fukuoka Art Museum, Japan
2023 <UTOPIA?! PEACE>, Kunstraum Potsdam / Berlin Wall Memorial (Bernauer Straße) / Babelsberg Palace, Germany
2023 <FREEDOM 2023>, Fukuoka Asian Art Museum, Japan
2022 <Changwon Sculpture Biennale - Beyond Borders Project>, Seongsan Art Hall, Changwon
2022 <SIEAF Seomjin River International Experimental Art Festival>, Jewolseom, Gokseong
2021 <After DMZ, Breath of the Earth>, Yangpyeong Museum of Art, Gyeonggi-do
2021 <Yeosu International Art Festival>, Yeosu Expo Convention Center, Yeosu
2020 <Kathmandu Contemporary Art Exhibition>, Nepal Art Council, Kathmandu, Nepal
2018 <DMZ Art Festa 2018 "Peace: Wind"> (2018 PyeongChang Winter Olympics), Goseong Unification Observatory & DMZ Museum, Gangwon-do
2018 <DMZ Art Festa 2018 "Peace: Wind"> (2018 PyeongChang Winter Paralympics), Gwanghwamun Square, Festival Park PyeongChang, DMZ Museum, Gangwon-do
and others

Awards & Selections
2026 <Hongti Art Center Residency> Long-term Resident Artist Selected, Busan Cultural Foundation
2024 2nd <Fukuoka Art Award> Excellence Award, Fukuoka Art Museum
2023 <UTOPIA?! PEACE> Invited & Selected, Kunstraum Potsdam / Berlin Wall Memorial / Babelsberg Palace, Germany - Berlin Wall Foundation & Kunstraum Potsdam
2018 <DMZ Art Festa 2018 "Peace: Wind"> (2018 PyeongChang Cultural Olympiad) Artist Selected, Ministry of Culture, Sports and Tourism & Gangwon-do
2016-2017 Overseas Exhibition Corporate Sponsorship Artist Selected, Shinjin Steel Co.
2013 20th <Korea Art International Competition> Excellence Award, Korea Art International Exchange Association
and others

Collections
Fukuoka Art Museum (2024)
Goseong DMZ Museum (2018)