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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

63 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Ornament #3-1

Kim Taegyun

Authenticity

Digital limited edition 5/10

What "edition" means →
CategoryDigital ArtMaterialDigital print, Diasec Size100×100cm · Size 40 · Large How big is this? →Year2013EditionEdition 5/10 What's an edition? →Price₩4,000,000

About the Artist

Kim Taekyun is a visual artist who reconstructs the gaze of landscape and territory in multilayered fashion, having worked between Stuttgart, Germany and Korea. His solo exhibitions include 〈Adapted Territory〉 (Kim Chong Yung Museum Creative Support Exhibition, 2019), 〈Eternal Vacation〉 (Seoul Museum of Art Emerging Artist Selected Exhibition at Space Can, 2013), and 〈Shadow of Landscape〉 (Ehingen Municipal Museum of Art, Germany, 2011). He has participated in major museum exhibitions including 〈Border 155〉 (SeMA, 2017), 〈Salon de SeMA〉 (SeMA New Acquisitions Exhibition, 2015), 〈Formula of Imagination〉 (Busan Museum of Contemporary Art New Acquisitions Exhibition, 2019), and 〈BETWEEN WAVES〉 at Amorepacific Museum's APMAP (2014).

Artist Statement

This is a photo collage work that gathers the three-dimensional interchanges leading into Seoul and Pyongyang, two cities, and reconstructs them into a new ornamental pattern. The form of this new pattern — where road meets road, joined together — expresses an artistic interpretation of the Korean peninsula's geopolitical character and a poetic metaphor for a new future.

Key Career Highlights

Solo Exhibitions
2019 'Adapted Territory', Kim Chong Yung Museum Creative Support Exhibition, Kim Chong Yung Museum, Seoul
2013 'Eternal Vacation', Seoul Museum of Art Emerging Artist Selected Exhibition, Space Can, Seoul
2011 'Shadow of Landscape', Ehingen Municipal Museum of Art Curated Invitational, Ehingen, Germany

Group Exhibitions
2025 'Yesterday Is the Future of the Past', Songwon Art Center, Seoul
2023 'Comply with Peace', Jeon Tae-il Memorial Hall Gallery, Seoul
2022 'Buffer Time', Gyeonggi Millennium Gallery, Gyeonggi Northern Provincial Office, Uijeongbu
2019 'Formula of Imagination', Busan Museum of Contemporary Art New Acquisitions Exhibition, Busan Museum of Contemporary Art, Busan
2017 'Border 155', Seoul Museum of Art Main Building, Seoul
2016 Gyeonggi Promising Artist Saengsaeng Hwahwa, '14 Perspectives', Goyang Aram Museum of Art, Goyang, Gyeonggi-do
2015 'Salon de SeMA', Seoul Museum of Art New Acquisitions Exhibition, Seoul Museum of Art, Seoul
2014 'BETWEEN WAVES', Amorepacific Museum of Art Curated APMAP, Osulloc Museum, Jeju
2013 'Events', MMCA Goyang Studio Exhibition Hall, Goyang, Gyeonggi-do
2012 '60 Works for Baden-Württemberg', Siggen Municipal Museum of Art, Germany
2011 'No Limits', Stuttgart Wirtschaftshaus, Stuttgart, Germany
2010 'Die Natur Verbindet', Villingen-Schwenningen Municipal Park, Germany
2009 'Zart', curated by Jan Hoet, Galerie ABT ART, Stuttgart, Germany
2008 'Test Bild', Polizei Building, Stuttgart, Germany
2007 'Foto Sommer', Kunstakademie Exhibition Hall, Stuttgart, Germany
2006 Kunst Projekt 'Vor Fahrt', Birkenwald Straße, Stuttgart, Germany

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Recently Sold

63 artworks sold recently

Two beginnings made by one piece

For you
One of only 10 digital limited editions
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.