Price
₩2,400,000
A unique original — the only one in the world
Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Chaekgado with a Pear
Jo Sinuk
- Category
- Painting
- Material
- Acrylic on canvas
- Size
- 60.6×60.6cm · Size 12 · Medium How big is this? →
- Year
- 2025
- Price
- ₩2,400,000
- Availability
- For sale
About the Artist
Jo Shinwook is a painter who reinterprets the iconography of the traditional Korean 〈Chaekgado (Scholar's Bookshelf)〉 in contemporary painting. After graduating from the Department of Painting at Incheon Catholic University, he has held numerous solo exhibitions—including 〈Chaekgado: Landscape of Life〉 at Gallery Hwal (2025), 〈Chaekgado: Embracing Life〉 at CICA Museum and Gallery Nut (2022), 〈Color of Light〉 at Film Forum Gallery (2019), and 〈Another Me〉 at Film Forum Gallery (2017). He participated in MANIF 2021 – Art Figuratif at Seoul Arts Center as a solo booth artist and has received numerous awards, including the Excellence Award at the Korea Creative Art Competition (2021) and the Seoul Metropolitan Council Chairman Award at the 2025 Seoul International Art Awards.
Artist Statement
The fragments of everyday life that make up my life reveal their own distinct presence within the space of each work, in their particular forms and colors, transforming the ordinary moments of life into something special. In this way, the special moments of my life are the moments when I find beauty and joy within the ordinary. They are the moments when that joy comes to life within the work.
Key Career Highlights
Related materials
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Newsis · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Magazine

The Everyday on Chaekgado: The Ordinary Extraordinary of Jo Sinuk
Jo Sinuk carries the Joseon *chaekgado* tradition into today. Inside the grid: his own daily fragments, the extraordinary inside the ordinary.
Apr 20, 2026 · Seed Art Festival
SAF Painters — From Korean Painting to Abstraction
The 40+ painters of SAF 2026, read across six lineages — from Reality and Utterance founders to KAIST-trained painters, Brussels sculpture MFAs, and Goryeo-Buddhist-painting masters.
Apr 20, 2026 · Seed Art Festival
Contemporary Art Pricing — Artist, Medium, Size, Date: 4 Factors of Korean Art Market
“Is this price fair?” The question every buyer asks. To answer it you need to understand the four forces that set art prices: artist, medium, size, and date.
May 2, 2026 · Seed Art FestivalOther works by Jo Sinuk
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Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.


