Price
₩3,500,000
A unique original — the only one in the world
Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Struggling Through
Lee Eunhwa
- Category
- Painting
- Material
- Acrylic on canvas
- Size
- 53×53cm · Size 10 · Small How big is this? →
- Year
- 2024
- Price
- ₩3,500,000
- Availability
- For sale
About the Artist
Lee Eunhwa is a multidisciplinary artist working across painting, installation, new media, and publishing. Since the early 2000s, she has explored text and symbols, urban desire and identity, and human emotions and psychology. She has held nine solo exhibitions and participated in curated exhibitions at major institutions including the Seoul Museum of Art, the National Museum of Modern and Contemporary Art, the Busan Museum of Art, and the Sungkok Art Museum. She constantly develops new forms of art that fuse fine art with other fields. She carried out the project Tell Me The Story: When Our Stories Become History, combining painting, documentation, and video, with the support of the City of Seongnam and the Seongnam Cultural Foundation (2024). She was exclusively selected as an invited artist for the 2025 Gyeongnam International Art Fair, hosted by Gyeongsangnam-do Province and the City of Changwon, where she presented Room of Hospitality: Welcome VIP, a participatory work completed through audience engagement, to great acclaim. Her works are in the collections of Haslla Art World and Art Books Inc., among others, and she is also active as an author, having written numerous art books including Stories Behind Paintings, Nordic Museum Journeys, and The Room of Paintings.
Artist Statement
The artist statement is currently available in Korean.
Key Career Highlights
Related materials
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Magazine

Lee Eun-hwa: A Journey from New York to Seoul, Threaded by the Brush
Lee Eun Hwa translates emotion into visual signs. From her 2004 debut *Emotional Esperanto* through today's SAF contributions — painting as a language beyond language.
Apr 8, 2026 · Seed Art Festival
SAF Painters — From Korean Painting to Abstraction
The 40+ painters of SAF 2026, read across six lineages — from Reality and Utterance founders to KAIST-trained painters, Brussels sculpture MFAs, and Goryeo-Buddhist-painting masters.
Apr 20, 2026 · Seed Art Festival
Contemporary Art Pricing — Artist, Medium, Size, Date: 4 Factors of Korean Art Market
“Is this price fair?” The question every buyer asks. To answer it you need to understand the four forces that set art prices: artist, medium, size, and date.
May 2, 2026 · Seed Art FestivalOther works by Lee Eunhwa
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₩4,000,000

Crowd of the 21st Century
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₩3,000,000

인물 1
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끊어진 선착장에서 수평선을 보다
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₩2,300,000

불꽃 청년 전태일
이태호
₩2,000,000
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.


