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₩12,000,000

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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

68 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Modern Korean History-Long Live Democracy (5.18)

Sin Hakcheol

Authenticity

One-of-a-kind original

What "edition" means →
CategoryPaintingMaterial콜라주 Size77.8×53.6cm · Size 25 · Medium How big is this? →Year2017Price₩12,000,000

About the Artist

Shin Hakchul (b. 1943) is an artist associated with the Minjung (People's) Art movement who initially participated in experimental art, exhibiting works through the Korean Avant-Garde Association (AG) exhibitions in the early 1970s. However, from the 1980s onward, he turned to critiquing the new military dictatorship, contemplating the role of art in social communication and discourse, and depicting major events in Korean modern and contemporary history using hyperrealist and photomontage techniques. Apocalypse 802 was created using the collage technique he concentrated on from the late 1970s to the early 1980s. In it, salarymen with shoe-shaped faces all look in one direction, surreally satirizing the unilateral flow of information and suppressed freedom of expression. The subjects in Shin's works are primarily workers, the middle class, and farmers; these figures from various social strata are depicted realistically without idealization, revealing history as a concrete reality.

About this work

〈Modern Korean History-Long Live Democracy (5.18)〉 is a Painting work by Sin Hakcheol. Created in 2017 on 콜라주, measuring 77.8x53.6cm. Available as an original Korean contemporary artwork at SAF Online.

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Price

₩12,000,000

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Recently Sold

68 artworks sold recently

Two beginnings made by one piece

For you
One-of-a-kind in the world
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.