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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

98 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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What's Going On?

Lee Yunyeop

Authenticity

Limited edition

What "edition" means →
CategoryPrintmakingMaterialTBD Size9.5×14cm · Size 1 · Small How big is this? →Year2022Price₩200,000

About the Artist

Lee Yunyeop depicts farmers, laborers, and humble everyday objects with wit, using bold lines on white space to skillfully capture the rough yet endearing character of woodblock printing. For him, woodblock printing is a medium that engages his body through carving wood and handling tools, serving as a method to create empathy among people who understand labor or to foster understanding of the value of labor itself. Lee Yunyeop used rubber sheeting—the kind laid on factory floors—carved with engraving tools. Mr. Choi of Sandraemi (1996) was his first print work, depicting a neighboring farmer who lived near his home at the time. After this first work, the artist committed to printmaking as his primary medium, and notably called himself a 'dispatched artist,' creating prints alongside workers at strike sites and protest scenes, revealing his activist dimension as an artist.

About this work

〈What's Going On?〉 is a Printmaking work by Lee Yunyeop. Created in 2022, measuring 9.5x14cm. Available as an original Korean contemporary artwork at SAF Online.

Key Career Highlights

2025 Cut Sentences, Open Square (Democratization Memorial Hall) 2024 Solo Exhibition: Even If It Takes a Little Time (Dongducheon Ecological Peace Museum The Dream) 2020 Print, Print, Print (MMCA) 2019 Square: Art and Society (MMCA) 2017 Between Floors (MMCA Gwacheon) 2015 Gwangju Biennale 20th Anniversary Special Exhibition (Gwangju Museum of Art) 16 Solo Exhibitions and numerous group exhibitions 2012 Koo Bohnchang Art Award Collections: MMCA, Gyeonggi Museum of Modern Art, Sakima Art Museum (Japan), Fukuoka Asian Art Museum (Japan) Publications: 'I Am a Farmer', 'Even If It Takes a Little Time', etc.

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5월 31일 현재 작품 구매 가능100% 진품 보증7일 청약철회안전한 포장 배송결제 보안작가 직접 출품

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Recently Sold

98 artworks sold recently

Two beginnings made by one piece

For you
One of a limited edition
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.