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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

68 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Rainbow Hunter

Kim Yeongseo

Authenticity

One-of-a-kind original

What "edition" means →
CategoryPaintingMaterialPencil on jangji Size72.7×60.6cm · Size 20 · Medium How big is this? →Year2025Price₩1,400,000

About the Artist

Kim Youngseo is an emerging artist whose work records, through the language of Oriental painting, the textures of time embedded in 'things that vanish.' She earned her M.A. in Oriental Painting at the Graduate School of Hongik University and held her first solo exhibition 〈The Beauty of Vanishing Things〉 at Sai Art Space in 2022. She has participated in curated exhibitions including 〈Depth of Traces〉 at Dongjak Art Gallery, 〈Between, or_Between〉 (Hankyoreh Curating School 3rd selected artist), and 〈Beautiful Record〉, translating the subtle textures of daily life into painterly form.

Artist Statement

If even what brushed by has a back, then it too becomes a kind of afterimage. Past gazes and scenes remain as images, and they return again as a kind of bond. My work is a record of the private gazes I have caught while passing through.
We sometimes encounter a scene by chance and feel an inexplicable familiarity. Like the "punctum" the French scholar Roland Barthes described as one mode of seeing photographs — never sharply recalled, yet feeling as if one had once been inside it — my work calls to mind a blurred, aged black-and-white photograph. I layer many strands of pencil line and omit outlines and detail. Scenes lingering somewhere in the mind were already blurry to begin with, and within their incompleteness, emotion begins to settle.
The aesthetician Wolfgang Kemp writes of "narrative":
"Visual art begins from the best, unconditional condition of visibility. It seeks to bring things and actions close, not to hold them at a distance."
What may sound obvious became, for me, a question.
In my work, "distance" is not physical space but a matter of depth between sense and emotion. The act of recalling a particular scene always sets time pulsing — blur and clarity, continuity and rupture, repeating — and within that rhythm a fragment of an image slowly comes back to life.
The everyday moments we live through only truly settle in us after they have passed. Scenes accumulated this way grow dim within my work, or remain a long while, or are tucked carefully away.
My work carries the meaning of a record — pages from a diary I no longer remember writing, ones I can pull out and look at. Through that record, we suddenly recall lingering sensations and discover the mood of familiar emotions. I hope that, through my gaze and my record, viewers may find themselves remembering scenes that once stayed somewhere in their own time.

Key Career Highlights

M.A., Department of Oriental Painting, Graduate School, Hongik University

Solo Exhibitions
2022 <The Beauty of Vanishing Things>, Sai Art Space, Seoul

Group Exhibitions
2025 <Manlyu Gwijong>, Idea Center, Seoul
Young Artist Curated Exhibition <Between Between Rest>, Culture Experiment Space Hosu, Seoul
4-Person Exhibition <NO MATTER>, N2 Art Space, Seoul
Hankyoreh Curating School 3rd Selected Artist <Between, or_Between>, Gallery Ilho, Seoul
2024 Dongjak Art Gallery Exhibition Planning Selected Exhibition <Depth of Traces>, Dongjak Art Gallery, Seoul
<Simultaneous Art Alliance>, N2 Art Space, Seoul
Emerging Artist Exhibition <Beautiful Record>, Culture Experiment Space Hosu, Seoul
2023 Emerging Artist Curated Exhibition <Artist H's Shop>, Dongtan Art Square, Hwaseong City Cultural Foundation, Gyeonggi-do
<Dongjak: Expansion>, Dongjak Art Gallery, Dongjak Cultural Foundation, Seoul
3-Person Exhibition, GS E&C Gallery Siseon, Seoul
<In Contemplation, Each Has Their Own Sound>, A-Lounge, Seoul

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Recently Sold

68 artworks sold recently

Two beginnings made by one piece

For you
One-of-a-kind in the world
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.