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₩3,500,000
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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
63 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Wind and Light-57
Kim Gyuhak
About the Artist
Kim Gyuhak is an Incheon-based painter who reinterprets urban landscapes through painterly language. After completing his M.A. in Formative Arts at Chung-Ang University Graduate School, he has held 12 solo exhibitions and participated in over 250 group exhibitions. He received the Grand Prize at the Incheon Art Competition (2018), the Best Excellence Award at Indépendant KOREA (2019), and the Grand Prize at the Angyeon Sarang National Art Competition. His works are held in the collections of MMCA Art Bank, Gwangju Museum of Art, Yeoju Museum of Art (Art Museum Ryeo), the Incheon Foundation for Arts & Culture Art Bank, Yangpyeong Museum of Art, and the Gyeonggi Cultural Foundation.
Artist Statement
Around the area where mounds of red ochre earth are piled, fences block all human entry. Compared to when I used to pass by here, the look of the neighborhood where people once lived is now devastated beyond words. Around the heaps of collapsed houses, with no human presence, only a nameplate of someone who used to live here hangs forlornly.
All the people must have left for somewhere. The traces of the past lived here will be buried in time, and in the name of development and modernization that place will be filled with new spaces and new things.
Whether it is the meaning of being to fade into the memories of the past once one's allotted lifespan is exhausted, I cannot say; but time will erase yesterday's forms and traces and transform that ground into yet another shape.
This work points to the things around us that are reduced to refuse, discarded and left to rot. Like branches of a tree torn up by the roots from a heap of upturned earth, they are old things that have lost their life and been thrown away.
In a materialist world, people indulge pathologically in the new and despise the old. The logic that the country's economy will revive and grow rich only by throwing away more and producing still more makes a mockery of the old memory of frugal, thrifty living.
Recalling the things that disappear into the memories of the past, I think about what we lose and what we gain in this world that has supposedly grown better.
Key Career Highlights
Education
M.A., Department of Formative Arts, Graduate School of Arts, Chung-Ang University
Solo Exhibitions
2024 21st Century City, KMJ Art Gallery, Incheon
and 12 more
Group Exhibitions
2025 ASYAAF, Culture Station Seoul 284, Seoul
2024 "Art·T Incheon" Art Bank Curated Exhibition, Namdong Culture Center, Incheon
Peace and Ecosystem, Pyeonghwa Nuri-gil Eoulrim Center, Yeoncheon
Acquisition Collection Exhibition Pixel: Reinterpretation of Landscape, Yeoju Museum of Art
Art Museum Ryeo, Yeoju
and total 250+ exhibitions
Awards
2019 Angyeon Sarang National Art Competition Grand Prize
2019 Indépendant KOREA Best Excellence Award
2018 Incheon Art Competition Grand Prize
Selected Programs
2024 Incheon Foundation for Arts & Culture, Arts Creation Support
2023 Seoul Foundation for Arts and Culture, Senior Artist Support
2023 Incheon Foundation for Arts & Culture, Arts Creation Support
2020 Goyang Art Activity Support Project "Goyang Art Bank"
2020 Gyeonggi-do Culture New Deal COVID-19 Art Vaccine Project
2020 Seoul Public Art Project Artwork Planning Proposal Competition
2019 Incheon Foundation for Arts & Culture, Artistic Expression Activities
Collections
Anguk Cultural Foundation, Yeoju Museum of Art (Art Museum Ryeo), Incheon Foundation for Arts & Culture Art Bank, Yangpyeong Museum of Art, Gyeonggi Cultural Foundation,
MMCA Art Bank, Yangpyeong Museum of Art, Gwangju Museum of Art, Samtan Art Mine
Related materials
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
KMJ ART GALLERY · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Magazine

Where the Wind Has Passed: Kim Gyuhak's Landscapes and Memory
Kim Gyuhak paints what wind leaves behind. *Wind and Light* series — rural scenes and childhood memories, held with a quiet, warm gaze.
2026-04-09 · Seed Art Festival
SAF Painters — From Korean Painting to Abstraction
The 40+ painters of SAF 2026, read across six lineages — from Reality and Utterance founders to KAIST-trained painters, Brussels sculpture MFAs, and Goryeo-Buddhist-painting masters.
2026-04-20 · Seed Art Festival
Contemporary Art Pricing — Artist, Medium, Size, Date: 4 Factors of Korean Art Market
“Is this price fair?” The question every buyer asks. To answer it you need to understand the four forces that set art prices: artist, medium, size, and date.
2026-05-02 · Seed Art FestivalOther works by Kim Gyuhak
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Recently Sold
63 artworks sold recently
Two beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.




