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₩1,200,000
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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
63 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
From the Curved World_Monami Ballpoint 1
Ra Inseok
About the Artist
Ra Inseok is recognized for his diverse and creative works that range from pure photography to visual art using photography as a medium. To convey the tactile quality of his subjects, he has scratched the surfaces of photographic paper to allow ink to seep through. Having prayed for supernatural powers, he acquired the ability to capture a bent and curved world. Thanks to this, Ra Inseok sees even straight lines as curves—what he calls 'upright curves.' The straight lines captured by his camera belong to a curved world.
About this work
〈From the Curved World_Monami Ballpoint 1〉 is a Photography work by Ra Inseok. Created in 2015 on Pigment-based inkjet on matte paper, aluminum frame, measuring 42x58cm. Available as an original Korean contemporary artwork at SAF Online.
Key Career Highlights
Solo Exhibitions
2021 From the Curved World, Gallery Bresson, Seoul, and others
2019 From the Incident, Gallery Guppy, Seoul
2019 Photography Touches the World, Photographers' Gallery Korea, Seoul
2019 TOUCH, Gallery Bresson, Seoul
2018 Return of Images, Third Story IMAGE2IMAGE, Space The In, Seoul
2015 CONTACT, Photographers' Gallery Korea, Seoul
2013 IMAGE2IMAGE2, Gallery Yuki, Tokyo, Japan
2012 IMAGE2IMAGE, Gallery Yuki, Seoul
2009 Strange Day, Space Ru, Seoul
Group Exhibitions
2022 On the Essence, Hongcheon Museum of Art, Hongcheon
2022 GRAPHOS, Vium Gallery, Seoul
2022 Incheon Open Port International Photo & Video Festival: 15 Korean Artists, Chinese History Museum, Incheon
2022 TANGLED COSMOS, Metal House Gallery, Yangpyeong
2022 Neo-orbis: New World, Hongcheon Museum of Art, Hongcheon
2022 Contemporary Korea Photography, Kim Young-seob Photo Gallery, Seoul
2021 Taste of Weather, Gallery Bresson, Seoul
2021 Looking 3 - Looking Again, Gallery Azit, Seoul
2021 Environmental Exhibition: To The Negentropia, Chungmuro Gallery, Seoul
2020 Seoul in My Mind, Geumsan Gallery, Seoul
2020 Relating, Vium Gallery, Seoul
2020 Expanded Senses, Y Art Gallery, Seoul
2019 Post Photo, Topohaus, Seoul
2019 On Photography, Gallery Bresson, Seoul
2018 Cat, Ami Museum, Dangjin, Chungnam
2018 D Cut Image for Yourself, Art Space Et, Seoul
2018 Dissolving Boundaries: Between Photography and Painting, Ecorak Gallery, Seoul
2017 Dissolving Boundaries II: Between Photography and Painting, Ecorak Gallery, Seoul
2012 Let's Play, Space Radio M, Seoul
2011 Photography... Art as Medium, Space Ino, Seoul
2011 Office Worker Exhibition, Small Space Iso, Daegu
Publications
2019 <TOUCH>, Namib Publishing
2019 <On Photography>, Nunbit Publishing, pp. 37-43
Related materials
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Gallery Bresson · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Focus1 · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Magazine

Straight Curves, a Bent World: The Seoul Ra Inseok Photographs
Ra Inseok: *even a straight line reads as a curve*. Seoul Tower, Lotte World Tower, and a Monami ballpoint — everyday icons of straightness revealed as bent.
2026-04-20 · Seed Art Festival
Korean Landscape and the Lives of Common People — The Documentary Photography of Cho Mun-ho, Jeong Yeong-shin, and Kim Soo-oh
The flow of Korean documentary and landscape photography — the practices of three masters Cho Mun-ho, Jeong Yeong-shin, and Kim Soo-oh, plus five collecting perspectives.
2026-05-10 · Seed Art Festival
A First-Time Art Buyer’s Price Guide — From ₩300K to ₩10M
“How much should I start with?” The most common question from first-time art buyers. Here is what you can buy, and how to choose, at four price tiers — ₩300K, ₩1M, ₩3M, and ₩10M.
2026-04-30 · Seed Art FestivalOther works by Ra Inseok
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Recently Sold
63 artworks sold recently
Two beginnings made by one piece
- For you —
- One of a limited edition
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.




