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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Wind and Light-60
Kim Gyuhak
- Category
- Painting
- Material
- Oil on canvas
- Size
- 65×50cm · Size 15 · Medium How big is this? →
- Year
- 2025
- Price
- ₩900,000
- Availability
- SOLD
About the Artist
Kim Gyuhak is an Incheon-based painter who reinterprets urban landscapes through painterly language. After completing his M.A. in Formative Arts at Chung-Ang University Graduate School, he has held 12 solo exhibitions and participated in over 250 group exhibitions. He received the Grand Prize at the Incheon Art Competition (2018), the Best Excellence Award at Indépendant KOREA (2019), and the Grand Prize at the Angyeon Sarang National Art Competition. His works are held in the collections of MMCA Art Bank, Gwangju Museum of Art, Yeoju Museum of Art (Art Museum Ryeo), the Incheon Foundation for Arts & Culture Art Bank, Yangpyeong Museum of Art, and the Gyeonggi Cultural Foundation.
Artist Statement
- Wind and Light
Time travels back to a faraway memory beyond reality.
To meet someone, one turns into a quiet country field, a forest path, the corner of a small village.
Everything sinks into stillness, and at some point time itself seems to have stopped.
A shabby village along the ridge of a hill, tile roofs and walls that look as though they might crumble, with a white cumulus cloud caught above them,
and under an old tree at the alley's end, children played all day long.
That is the place of my childhood memory.
"Wind" is the drifting cloud, the white cumulus drifting wherever the wind blows; "light" is a far-off longing beyond reality. To people who live without a moment to catch their breath inside the desires of the real, wind shows itself just as wind, and cloud just as cloud.
Key Career Highlights
Related materials
Korean media · Original Korean article
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KMJ ART GALLERY · Original Korean article
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Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Magazine

Where the Wind Has Passed: Kim Gyuhak's Landscapes and Memory
Kim Gyuhak paints what wind leaves behind. *Wind and Light* series — rural scenes and childhood memories, held with a quiet, warm gaze.
Apr 9, 2026 · Seed Art Festival
SAF Painters — From Korean Painting to Abstraction
The 40+ painters of SAF 2026, read across six lineages — from Reality and Utterance founders to KAIST-trained painters, Brussels sculpture MFAs, and Goryeo-Buddhist-painting masters.
Apr 20, 2026 · Seed Art Festival
Contemporary Art Pricing — Artist, Medium, Size, Date: 4 Factors of Korean Art Market
“Is this price fair?” The question every buyer asks. To answer it you need to understand the four forces that set art prices: artist, medium, size, and date.
May 2, 2026 · Seed Art FestivalTwo beginnings made by one piece
- For you —
- One-of-a-kind in the world
- For the artist —
- the pride of standing with a peer
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.








