Price
₩4,000,000
Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
68 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
No 895
Kim Sanggu
About the Artist
Kim Sanggu was born in Seoul in 1945 and graduated from Hongik University's Department of Western Painting and the same university's graduate school. He is a rare artist who persists in the seemingly anachronistic craft of woodblock printing and thoroughly manual processes in an era of mechanization in modern industrial society. Wood carving art is rooted in an Eastern artisan spirit and common sensibility, characterized by straightforwardness and simplicity rather than dazzling sophistication. In this sense, his woodblock printing is one of the most humane domains of artistic work, understood as something akin to the poetry of daily life that adds warmth to our society. His woodblock world can be summarized as 'the rustic over the splendid, the simplicity that permeates like an earthen wall rather than complexity, the flat over the three-dimensional, the contrast of black and white, and the beauty of empty space over fullness.' Since the late 1970s, the artist has continued to exhibit, and his recent works are woven through multi-color woodblock prints. Through the multi-color process, which demands meticulous labor, he broadens his expressive range while steadily pursuing works of consistency and depth.
About this work
〈No 895〉 is a Printmaking work by Kim Sanggu. Created in 2005 on Woodblock print on hanji, measuring 180x30cm. Available as an original Korean contemporary artwork at SAF Online.
Key Career Highlights
Education
1967 B.F.A., Western Painting, Hongik University
M.A., Graduate School of Art Education, Hongik University
Professional Affiliations
Member, Korean Printmakers Association
Jury Member, Grand Art Exhibition of Korea
Exhibitions
1978-2009, Solo Exhibitions (20 exhibitions)
1960-1962, 1st-3rd Free Art Exhibition, Central Public Information Center
1963, Kim-Lee-Kim 3-Person Exhibition, Central Public Information Center
1963-1966, 1st-4th Ttuami Exhibition, Central Public Information Center
1976 Oct 22-26, Print Exhibition, Glorichi Gallery
1977-1978, Creative Artists Association Exhibition, MMCA
1978, Art Organizations Invitational Exhibition, MMCA
1978-1992, Modern Printmakers Association Exhibition
1978-1981, Seoul International Print Exchange Exhibition, MMCA
2000 Apr 8-May 10, Print Exhibition, Geurim Gallery
2000 Jun 12-25, Kim Sang-gu Print Exhibition, Kim Nae-hyun Gallery
2000, Development and Transformation of Korean Prints, Daejeon Museum of Art
2001, Korea-China-Japan Woodcut Print Exhibition, Kim Nae-hyun Gallery
2001, Art Book, Paris
2001, The Beginning of Art III, Sungkok Art Museum
2002, Korean Contemporary Art, Argentina
2003, Seoul Book Art - Art Book Art, MMCA
2004, A Window to Korea, Shanghai, China
2004, Print 14
2005 Mar, Kim Sang-gu Woodcut Print Exhibition, Insa Art Center
2005 Jul 4-14, Kim Sang-gu Woodcut Exhibition, Bundo Gallery
2007 Publishing Art: Modern and Contemporary Woodcut Prints
Awards
1962-1963, 1st-2nd Sinsanghoe Competition Special Selection, Encouragement Prize
1962-1965, 11th-12th, 14th National Art Exhibition Selection
1962, 6th Contemporary Artist Invitational Competition Selection
1964, 3rd New Artist Award Exhibition Encouragement Prize
Related materials
Magazine

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Two beginnings made by one piece
- For you —
- One of a limited edition
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.


