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₩4,000,000

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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

68 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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No 895

Kim Sanggu

Authenticity

Limited edition

What "edition" means →
CategoryPrintmakingMaterialWoodblock print on hanji What's a print? →Size180×30cm · Extra large How big is this? →Year2005Price₩4,000,000

About the Artist

Kim Sanggu was born in Seoul in 1945 and graduated from Hongik University's Department of Western Painting and the same university's graduate school. He is a rare artist who persists in the seemingly anachronistic craft of woodblock printing and thoroughly manual processes in an era of mechanization in modern industrial society. Wood carving art is rooted in an Eastern artisan spirit and common sensibility, characterized by straightforwardness and simplicity rather than dazzling sophistication. In this sense, his woodblock printing is one of the most humane domains of artistic work, understood as something akin to the poetry of daily life that adds warmth to our society. His woodblock world can be summarized as 'the rustic over the splendid, the simplicity that permeates like an earthen wall rather than complexity, the flat over the three-dimensional, the contrast of black and white, and the beauty of empty space over fullness.' Since the late 1970s, the artist has continued to exhibit, and his recent works are woven through multi-color woodblock prints. Through the multi-color process, which demands meticulous labor, he broadens his expressive range while steadily pursuing works of consistency and depth.

About this work

〈No 895〉 is a Printmaking work by Kim Sanggu. Created in 2005 on Woodblock print on hanji, measuring 180x30cm. Available as an original Korean contemporary artwork at SAF Online.

Key Career Highlights

Education
1967 B.F.A., Western Painting, Hongik University
M.A., Graduate School of Art Education, Hongik University

Professional Affiliations
Member, Korean Printmakers Association
Jury Member, Grand Art Exhibition of Korea

Exhibitions
1978-2009, Solo Exhibitions (20 exhibitions)
1960-1962, 1st-3rd Free Art Exhibition, Central Public Information Center
1963, Kim-Lee-Kim 3-Person Exhibition, Central Public Information Center
1963-1966, 1st-4th Ttuami Exhibition, Central Public Information Center
1976 Oct 22-26, Print Exhibition, Glorichi Gallery
1977-1978, Creative Artists Association Exhibition, MMCA
1978, Art Organizations Invitational Exhibition, MMCA
1978-1992, Modern Printmakers Association Exhibition
1978-1981, Seoul International Print Exchange Exhibition, MMCA
2000 Apr 8-May 10, Print Exhibition, Geurim Gallery
2000 Jun 12-25, Kim Sang-gu Print Exhibition, Kim Nae-hyun Gallery
2000, Development and Transformation of Korean Prints, Daejeon Museum of Art
2001, Korea-China-Japan Woodcut Print Exhibition, Kim Nae-hyun Gallery
2001, Art Book, Paris
2001, The Beginning of Art III, Sungkok Art Museum
2002, Korean Contemporary Art, Argentina
2003, Seoul Book Art - Art Book Art, MMCA
2004, A Window to Korea, Shanghai, China
2004, Print 14
2005 Mar, Kim Sang-gu Woodcut Print Exhibition, Insa Art Center
2005 Jul 4-14, Kim Sang-gu Woodcut Exhibition, Bundo Gallery
2007 Publishing Art: Modern and Contemporary Woodcut Prints

Awards
1962-1963, 1st-2nd Sinsanghoe Competition Special Selection, Encouragement Prize
1962-1965, 11th-12th, 14th National Art Exhibition Selection
1962, 6th Contemporary Artist Invitational Competition Selection
1964, 3rd New Artist Award Exhibition Encouragement Prize

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Price

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Recently Sold

68 artworks sold recently

Two beginnings made by one piece

For you
One of a limited edition
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.