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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
63 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
Mr. Kim (金씨)
Lee Incheol
About the Artist
Lee Incheol is a painter who has recorded everyday life and social reality through the lineage of Korean Minjung (People's) Art. Born in Busan in 1955 and a graduate of the Department of Food Engineering at Pusan National Fisheries University, he began his solo career with 〈Our Daily Life - I〉 at Geurim Madang Min in 1989. He has since held numerous solo exhibitions—〈Good Days!〉 (Deokwon Gallery, 2005), 〈Old Story〉 (Park Jinhwa Museum of Art, 2010), 〈In the Paradise〉 (Namu Art Gallery, 2018), 〈Earth Castaway〉 (Busan Democracy Park, 2021), and 〈Holoism〉 (Artverse in Paris, 2025)—alongside approximately 150 group exhibitions. He continues to engage with peace and democracy themes, participating in exhibitions such as the 5.18 People's Uprising 45th Anniversary Media Art Special Exhibition and the Dongducheon Peace Flag Exhibition.
About this work
〈Mr. Kim (金씨)〉 is a Printmaking work by Lee Incheol. Created in 1991 on Color woodblock print, measuring 32x50cm. Available as an original Korean contemporary artwork at SAF Online.
Key Career Highlights
Born 1955, Busan
1983 B.S., Department of Food Engineering, Pusan National Fisheries University
Solo Exhibitions
1989 Our Daily Life - I: Geurim Madang Min, Seoul; Ondara Museum of Art Invitational, Jeonju
1992 Our Daily Life - II: Geurim Madang Min, Seoul; Ondara Museum of Art Invitational, Jeonju; Gallery Nouveau Invitational, Busan
2005 Good Days! Peaceful Everyday (Deokwon Gallery, Seoul)
2006 Good Days!! (Busan Democracy Park Invitational, Busan)
2010 Old Story (Park Jinhwa Museum of Art Invitational, Incheon)
2018 In the Paradise (Namu Art Gallery Invitational, Seoul)
2021 Earth Castaway (Busan Democracy Park Invitational, Busan)
2023 On the Street (Namu Art Gallery Invitational, Seoul)
2025 Holoism (From the Invisible to the Visible), Artverse in Paris
Group Exhibitions (approx. 150)
2025 Flipping the Board (Gyeonggi Museum of Art)
Nonsense Like Moon's Reflection on a Lake (Arte Sup)
5.18 People's Uprising 45th Anniversary Media Art Special Exhibition (REGENERATION), Alternative Art Space Ipo
Peace Cultural Festival (Dongducheon Peace Flag Exhibition), Soyo Mountain, Former VD Clinic Protest Site Parking Lot, Dongducheon
2025 World Artists Korean Peninsula Peace Conference 'Art Revolution' Exhibition, Heyri Art Village Gallery Hangil
Jeongseon International Bookplate Festival
Chronicles of Light / Democratization Memorial Hall
Related materials
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Magazine

From Food Engineering Student to Geurimmadang Min: The Everyday of Lee Incheol
Lee Incheol graduated in food engineering before opening his first solo at Grimmadang Min in 1989. Hand-colored woodblocks of "Mr. Kim" and "Newlywed Mr. Lee."
2026-04-20 · Seed Art Festival
Korean Contemporary Printmaking — Five Lineages at SAF
Contemporary Korean printmaking, read through five artists at SAF 2026 — from Lee Cheolsu's woodblock Zen to Kim Jonghwan's broken-printer sculptures.
2026-04-20 · Seed Art Festival
Why an Original Costs 10x More Than a Print by the Same Artist
Why does a print cost $300 while the original by the same artist costs $3,000? Three forces explain it: supply, scarcity, and signature premium.
2026-05-03 · Seed Art FestivalOther works by Lee Incheol
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Price
₩2,000,000
Recently Sold
63 artworks sold recently
Two beginnings made by one piece
- For you —
- One of a limited edition
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.



