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Art protects art

8 out of 10

artists are shut out by banks

354

loans extended to fellow artists

95%

repayment rate — trust comes full circle

~KRW 140M

interest saved vs. predatory rates

Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.

Voices of fellow artists

The memory of going hungry for three days, alone, so my children wouldn't know.

50s, theater artist

I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.

50s, actor

I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.

30s, musician

I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.

50s, actor/broadcaster

Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.

30s, musician

Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.

50s, actor

Without money, life collapses — and creating art? Out of the question.

50s, artist

It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.

40s, musician

Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.

40s, theater artist

Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.

50s, actor

Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.

30s, actor

When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.

50s, actor/broadcaster

When I said I was a stage actor, the loan officer called me "unemployed."

50s, actor

The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.

50s, cartoonist/visual artist

Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.

30s, film/broadcasting professional

63 artworks sold, each becoming a seed of solidarity

One artwork becomes the oxygen that keeps a fellow artist creating.

Sales proceeds go to the artist mutual-aid fund.

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Beam Letter

Lee Iktae

Authenticity

One-of-a-kind original

What "edition" means →
CategoryPaintingMaterialAcrylic, hanji Size60×55cm · Size 12 · Medium How big is this? →Year2011Price₩3,500,000

About the Artist

Lee Iktae was a versatile Korean 'total artist'—a painter, film director, theater director, and performance artist. Born in 1947, he passed away on December 7, 2025, at the age of 78. During his studies at Seoul Institute of the Arts, he emerged on the avant-garde scene in 1970 by directing and starring in Korea's first independent film, Between Morning and Evening. As a member of 'The Fourth Group' in the 1970s, he challenged established art alongside artists such as Bang Taesu and Kim Kulim. In 1977, he moved to the United States with dreams of becoming a painter and founded the performance group 'Theater 1981' in New York and Los Angeles. After the 1992 LA riots, he expressed disaster healing and social reconciliation through works including Volcano Island and Hugging Angels. After returning to Korea in 1999, his Ice Wall series symbolically addressed the reality of national division. In his later years, the Pierrot and Aiku series explored nature and inner life, advancing toward a state of effortless being (wu-wei). A screenwriter who debuted through the Dong-A Ilbo New Year's Literary Competition, he viewed art as a translation of life. He was a humanist who advised younger artists to 'tell your own story rather than seeking fame.'

About this work

〈Beam Letter〉 is a Painting work by Lee Iktae. Created in 2011 on Acrylic, hanji, measuring 60x55cm. Available as an original Korean contemporary artwork at SAF Online.

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63 artworks sold recently

Two beginnings made by one piece

For you
One-of-a-kind in the world
For the artist
the next month of their practice
For a fellow artist
a new ₩3,000,000 path of low-interest support

354 artists have walked this path of recovery; 95% returned to open it for the next.