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Art protects art
8 out of 10
artists are shut out by banks
354
loans extended to fellow artists
95%
repayment rate — trust comes full circle
~KRW 140M
interest saved vs. predatory rates
Until the next exhibition, the next performance. For artists, income gaps are an unavoidable reality. For fellow artists forced into predatory loans just to afford paint, canvas, and studio rent, proceeds from this artwork become the Seed Fund — extending a fair hand at fair rates.
Voices of fellow artists
“The memory of going hungry for three days, alone, so my children wouldn't know.”
— 50s, theater artist
“I've been putting off urgent dental treatment because I can't afford it. I should be seeing a doctor regularly, but enduring instead of going has become a habit.”
— 50s, actor
“I kept delaying ear treatment because I had no money, and the symptoms in both ears worsened.”
— 30s, musician
“I couldn't pay my hospitalized mother's bills, so we had to delay her discharge, and she had to give up tests and treatment she needed.”
— 50s, actor/broadcaster
“Because of money troubles I had nowhere to go — drifting between gosiwon rooms and rehearsal studios, and for a while sleeping rough.”
— 30s, musician
“Because of unpaid rent, my collective was forced to vacate our shared workspace and home. Neither bank loans nor artist loans could help.”
— 50s, actor
“Without money, life collapses — and creating art? Out of the question.”
— 50s, artist
“It's painful that solving this month's money problems has to come before the work itself. As an artist, I can only earn well when the work succeeds — yet I have to chase odd jobs every month instead. It feels like being trapped in a vicious cycle.”
— 40s, musician
“Debt collection calls disrupted my rehearsals and performances, and the psychological burden made every day painful and the next day frightening.”
— 40s, theater artist
“Many times the loan payments looming each month forced me to step away from performing and focus on part-time work.”
— 50s, actor
“Sleeping less than four hours a night, juggling part-time jobs and theater — but the more I performed, the more debt piled up. Eventually I decided to quit performing.”
— 30s, actor
“When things were hardest, I couldn't even attend close friends' weddings or funerals — and as a result, relationships were severed.”
— 50s, actor/broadcaster
“When I said I was a stage actor, the loan officer called me "unemployed."”
— 50s, actor
“The shame and severed friendships that came with borrowing from people I knew, the pressure of failing to pay it back, the helplessness.”
— 50s, cartoonist/visual artist
“Even with programs meant for low-income citizens, I feel shame when I can't produce enough documentation simply because I'm an artist.”
— 30s, film/broadcasting professional
63 artworks sold, each becoming a seed of solidarity
One artwork becomes the oxygen that keeps a fellow artist creating.
Sales proceeds go to the artist mutual-aid fund.
1988 Jeonnam Gangjin
Jeong Yeongsin
About the Artist
Jeong Yeongsin, born in 1958 in Hampyeong, South Jeolla Province, is a documentary photographer and novelist who has devoted 40 years to exploring Korea's traditional five-day markets (oiljang). A traveler of the wind who has documented all 600-plus five-day markets held across the country, she yearns for these markets as if they were her hometown garden, a guileless country person searching for something she left behind at the market.
About this work
〈1988 Jeonnam Gangjin〉 is a Photography work by Jeong Yeongsin. Created in 2026 on Pigment ink on FineArt Paper print, measuring 80x50.5cm. Available as an original Korean contemporary artwork at SAF Online.
Key Career Highlights
Solo Exhibitions
- 'From Market to Cultural Heritage' Jeong Yeongsin Solo Exhibition, 2025, Gallery Bresson
- 'The Market and People Are My Medicine' Jeong Yeongsin Market Photo Exhibition, 2025, Gallery Index
- 'Jinan: That Fond Landscape' / Community Museum Gyenam Jeongmiso
- 'Mother's Land' (2024, Jeonju Seohak-dong Photo Art Museum)
- 'Janghang Line Market Road Traveled Alone' Publication Memorial Exhibition (2023, Gallery Index, Insadong)
- Jeong Yeongsin's 'Market Day' 2021-2022, Donuimun Museum Village Artist Gallery
- 'Mother's Land' 2021, Insadong Namu Art
- 'Let's Go to the Market' 2020, Gallery Bresson
- 'Capturing a Million Expressions at the Market' (2018, Jeongseon Icicle Festival)
- 'Jeong Yeongsin's Korean Markets' (2017, National 5-Day Market Expo)
- 'Market Day' (2016, Ara Art)
- 'Let's Go to the Market Project 2' (2015, Jeongseon Bus Terminal Cultural Space)
- 'Let's Go to the Market' (2015, Ara Art)
- 'Jeong Yeongsin's Market' (2012, Deokwon Gallery)
- 'Jeong Yeongsin's Market Day Installation' 2008, Jeongseon Mt. Manji Seonangdang Site
- 'Jeong Yeongsin's Rural Market' (2008, Jeongseon Arirang Festival Installation)
Group Exhibitions
- 2022 Time of Memory - Damyang Exhibition
- 'Soonsilsion' (2017, Namu Gallery)
- 'Byeongshin Muran Hayaje' (2017, Arisu Gallery)
- 'Candlelight History Exhibition' (2017, Gwanghwamun Square)
and numerous other group exhibitions
Publications
- 'Beloved Land, Beloved Market - Jeollanam-do Edition' 2025, Nunbit
- 'Puppies Met at Rural Markets' 2023, Isup
- 'Janghang Line Market Road Traveled Alone' 2023, Nunbit
- 'Mother's Land' 2021, Nunbit
- 'Let's Go to the Market' (From Rural Market to Cultural Heritage) 2020, Isup
- 'Jeong Yeongsin's Market Stories 3' 2019, Ramoretter e-book
- 'Jeong Yeongsin's Market Stories 2' 2019, Ramoretter e-book
- 'Jeong Yeongsin's Market Stories 1' 2019, Ramoretter e-book
- 'Market Day' Nunbit Photographer Series 29, Jeong Yeongsin Photo Collection, 2016, Nunbit
- 'Jeong Yeongsin's National 5-Day Market Pilgrimage' 2015, Nunbit
- 'Korean Markets' 2012, Nunbit Archive
- 'Rural Market Stories' 2002, Jinseon Publishing
2013-2014 Nongmin Shinmun "Jeong Yeongsin's Market Pilgrimage" serialization
2014 TBN Traffic Broadcasting "Jeong Yeongsin's Stories from the Market"
Current
- Member, Writers' Association; Committee Member, Inter-Korean Literary Exchange Committee
- Editorial Board Member & Contributing Reporter, Seoul Culture Today
- 'Jeong Yeongsin's Market Stories' currently serialized in Seoul Culture Today
Related materials
Kyunghyang Shinmun · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Korean media · Original Korean article
This article text is currently available in Korean. Open the source to read the original version.
Magazine

Jung Young-shin: Recording the Layers of Time Through Photography
For 40 years, Jung Youngshin has walked Korea's 600 five-day markets. Not as a visitor but as a listener first, camera second.
2026-04-08 · Seed Art Festival
Korean Landscape and the Lives of Common People — The Documentary Photography of Cho Mun-ho, Jeong Yeong-shin, and Kim Soo-oh
The flow of Korean documentary and landscape photography — the practices of three masters Cho Mun-ho, Jeong Yeong-shin, and Kim Soo-oh, plus five collecting perspectives.
2026-05-10 · Seed Art Festival
Agriculture and Labor in Korean Art — Kim Jun-kwon's Mountains, Min Jeong-gi's Fields, Lee Cheol-soo's Earth
Korea's oldest pictorial motif is agriculture. Tracing the contemporary lineage from Shin Hak-chul's *Rice Planting* (1987) through Kim Jun-kwon's woodblocks, Min Jeong-gi's Yangpyeong fields, Lee Cheol-soo's hanji prints, and Jung Young-shin's five-day market photographs.
2026-04-29 · Seed Art FestivalOther works by Jeong Yeongsin
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Price
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Recently Sold
63 artworks sold recently
Two beginnings made by one piece
- For you —
- One of a limited edition
- For the artist —
- the next month of their practice
- For a fellow artist —
- a new ₩3,000,000 path of low-interest support
354 artists have walked this path of recovery; 95% returned to open it for the next.



